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Harmonic expectancy violations: Testing the effects of familiarity, lead-in time, and ecological validity Psychology of Music (IF 1.6) Pub Date : 2024-12-05 Claire Arthur
In this article, the impact of three experimental parameters in a harmonic expectancy study are evaluated: stimulus duration (specifically the lead-in time prior to an unexpected event), ecological validity of the stimulus (original recording vs. piano only), and familiarity. This article also presents a novel experimental paradigm for detecting expectancy violations in a real-time listening context
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Exploring intra-contextual influences in music emotion perception Psychology of Music (IF 1.6) Pub Date : 2024-11-30 Sanga Chaki, Priyadarshi Patnaik, Junmoni Borgohain, Raju Mullick, Gouri Karambelkar, Sourangshu Bhattacharya
Context is one of the key parameters influencing music emotion perception in listeners. The current study systematically investigates the influence of immediate intrinsic musical context on the perception of music-evoked emotions. Four dominantly happy and four dominantly sad Hindustani classical music excerpts were chosen and rated for perceived emotions in two types of listening experiments. In the
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The support of autonomy, motivation, and music practice in university music students: A self-determination theory perspective Psychology of Music (IF 1.6) Pub Date : 2024-11-30 Arielle Bonneville-Roussy, Paul Evans
Practice may be the single most important activity that musicians can use to improve their performance. Yet practice requires significant effort and can sometimes feel difficult or unenjoyable. For this reason, substantial motivational resources are required to sustain consistent, high-quality practice over long periods. In this study, we used self-determination theory to study the kinds of motivation
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Burning out, fading away, and the sophomore slump: Critics’ versus fans’ ratings of music artists’ album quality over time Psychology of Music (IF 1.6) Pub Date : 2024-11-27 Gregory D. Webster, Lysann Zander
Folk psychology posits that music artists’ first albums are considered their best, whereas later albums draw fewer accolades, and that artists’ second albums are considered worse than their first—a phenomenon called the “sophomore slump.” This work is the first large-scale multi-study attempt to test changes in album quality over time and whether a sophomore slump bias exists. Study 1 examined music
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The use of music in the daily care of an infant: Exploring a mother’s experience during the COVID-19 pandemic Psychology of Music (IF 1.6) Pub Date : 2024-11-18 Maria Papazachariou-Christoforou
This study investigates how a first-time Cypriot mother used music in caring for her infant during the COVID-19 pandemic. Limited research has been done about musical parenting during this time, highlighting the importance of this single case study. For 5 months, the mother-participant engaged in an online musical parenting program, which aimed to increase knowledge regarding the use of music and movement
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Positive musical performance feedback facilitates general self-efficacy and choice of solo performance Psychology of Music (IF 1.6) Pub Date : 2024-11-14 Weronika Molińska, Joanna Rajchert
This study investigates the impact of positive or negative performance evaluations on general self-efficacy and subsequent choice of a solo or group performance among professional musicians ( N = 53; women 58.2%, men 36.4%, non-binary 5.5%). Participants completed personality questionnaires, sight-read an unfamiliar musical piece, received computer-generated feedback, and reported post-manipulation
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Examining how brief mindfulness training influences communication within the brain of musicians with music performance anxiety: A resting state fMRI study Psychology of Music (IF 1.6) Pub Date : 2024-11-12 Kayla Boileau, Nicole Stanson, Zhuo Fang, Kheana Barbeau, Umara Hansen, Gilles Comeau, Andra Smith
Many musicians live with music performance anxiety (MPA), which may affect their psychological and physiological functioning. Mindfulness, being aware in the present moment without judgment, has been found to help ease anxiety. Mindfulness may also help alleviate the negative effects of MPA, but what is the neurophysiological basis for this effect? Core components of mindfulness, including emotional
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Episode model: The functional approach to emotional experiences of music Psychology of Music (IF 1.6) Pub Date : 2024-10-22 Tuomas Eerola, Connor Kirts, Suvi Saarikallio
We present a novel framework for music and emotion research that addresses emotional experiences with music as functional episodes. This framework, called the Episode Model, places the situation and the function of the music for the individual at the centre of the experience and integrates acts of affective self-regulation to our understanding of music as emotional experiences. The model consists of
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“See me for who I am”: An exploratory study of undergraduate music major belonging Psychology of Music (IF 1.6) Pub Date : 2024-10-21 Erika J. Knapp, James Brinkmann, Liza Calisesi Maidens
The purpose of this exploratory instrumental qualitative case study with nested mixed methods was to examine undergraduate music majors’ perceptions of their sense of belonging within one public university music program. We surveyed undergraduate music majors within a single music program and completed purposeful and targeted follow-up interviews of selected respondents who represented a diverse cross-section
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Validating scores from the short form of the Music Self-Perception Inventory (MUSPI-S) with seventh- to ninth-grade school students in Germany Psychology of Music (IF 1.6) Pub Date : 2024-10-18 Daniel Fiedler, Johannes Hasselhorn, A. Katrin Arens, Anne C. Frenzel, Walter P. Vispoel
The Music Self-Perception Inventory-Short (MUSPI-S) is a theoretically based instrument consisting of 28 items with subscales that assess music self-concept globally and in six specific areas. The present study sought to validate a German translation of the MUSPI-S using a sample of 444 secondary school students. In addition to participants’ scores from the German translation of the MUSPI-S, associated
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Effects of two modalities of practice on the learning of piano pieces under the deprivation of auditory feedback Psychology of Music (IF 1.6) Pub Date : 2024-10-15 Renan Moreira Madeira, Regina Antunes Teixeira dos Santos
Sixteen piano students learned four piano pieces under two different conditions that involved the deprivation of auditory and motor feedback. One condition required study away from the piano, thus implying the removal of auditory and kinaesthetic feedback (mental practice, MP). The other condition involved study on a digital piano that was turned off (motor practice, MoP), hence depriving the participant
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Embodiment of emotions in adolescents’ musical expression Psychology of Music (IF 1.6) Pub Date : 2024-10-08 Suvi Saarikallio, Birgitta Burger, Geoffrey Luck
Music has been actively studied from the perspectives of emotional expression and body movement, but not during adolescence. The current study addressed music as a forum for adolescent embodied emotion expression. Based on prior research, we hypothesised that adolescents would be able to differentiate between emotions in their music-related expressive body movements based on valence and arousal characteristics
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Lyrics of longing: Exploring the role of music in the lived experience of homesickness among college students Psychology of Music (IF 1.6) Pub Date : 2024-09-19 Simran Gidwani, Veenashree Anchan, Nisha James
The study investigates the multifaceted role of music during homesickness among first-year college students in India. As compared to other mental health outcomes, homesickness is a relatively understudied phenomenon, yet noteworthy due to its direct association with depression and anxiety. Although empirical evidence about music highlights its therapeutic potential for managing stress and anxiety,
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Different voice part perceptions in polyphonic and homophonic musical textures Psychology of Music (IF 1.6) Pub Date : 2024-09-14 Kai Ishida, Hiroshi Nittono
Separate voice part perception has been shown in polyphonic music. However, it remains unclear whether this segregation of voice parts is specific to polyphony or also occurs in homophonic music. This study compared voice part perceptions in polyphony and homophony using a redundant signals effect (RSE) paradigm. The RSE means that reaction times are shorter for two simultaneously presented signals
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Becoming singular: Musical identity construction and maintenance through the lens of identity process theory Psychology of Music (IF 1.6) Pub Date : 2024-09-14 Melissa Forbes, Jason Goopy, Amanda E Krause
This study uses identity process theory to understand the social–psychological processes that motivate individuals to construct an identity in which music, singing, and singing teaching feature prominently. We conducted reflexive thematic analysis of semi-structured interviews with 10 Australian singing teachers (with an average age 60) to understand how they enacted identity principles that motivate
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Conversations from Arendelle: Children’s understanding of musical affect in a narrative, multimedia context Psychology of Music (IF 1.6) Pub Date : 2024-09-14 Sara Beck, Daniel Allee
Children’s verbatim memory for song lyrics has been broadly investigated in the psychological literature, but little is known about the developmental course of children’s ability to construct meaning from familiar multimedia songs containing both concrete and metaphorical language. The present study examined age-related change in children’s understanding of the hit song “Let It Go” using a brief comprehension
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Evaluations of solo piano performances: The role of performing with and without a musical score Psychology of Music (IF 1.6) Pub Date : 2024-07-31 D Gregory Springer, Rachel A Sorenson
The act of performing without a musical score is common and expected in many contexts. The purpose of this study was to examine the effects of performing with and without a musical score on listeners’ evaluations of solo pianists. We also investigated whether the effects of score use differed according to the perceived expertise of the performer. Participants ( N = 69) were collegiate music students
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Video-based categorization system and frequency analysis of gestures in saxophone playing Psychology of Music (IF 1.6) Pub Date : 2024-07-31 Nádia Moura, Pedro Fonseca, Jorge Graça, Philippe Trovão, Márcio Goethel, João Paulo Vilas-Boas, Sofia Serra
The study of gestures in music performance provides valuable insights for instrumental learning. However, gestural vocabularies vary depending on the instrument being played, according to its postural and technical specificities. The goals of this study were twofold: first, to create a gesture categorization system for saxophone players, and second, to analyse their gestural behaviour across contrasting
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Are we all anxious about the same thing? A comparison of lay definitions of music making and performance in the context of music participation Psychology of Music (IF 1.6) Pub Date : 2024-07-31 Katrina M Rivera, Lillian Smyth, Georgia Pike-Rowney, Susan West
Adverse experiences toward making music can be found in both musicians (music performance anxiety) and non-musicians (avoidance of participating in musical experiences). Both anxiety and avoidance are driven by perceptions and attributions about particular stimuli, based on schemas developed via direct and indirect experiences. Most research within music psychology focuses on the views of professional
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Effects of amateur choir experience on forced-attention dichotic listening in older adults Psychology of Music (IF 1.6) Pub Date : 2024-07-29 Yang Li, Jinxin Ji, Xinxian Zhao, Xiaohu Yang
This study aimed to investigate the effects of amateur choir experience on “forced-attention” dichotic listening performance in older adults. Twenty older adults with choir experience and 20 without such experience were recruited, along with a group of 20 younger adults as the baseline. Participants were instructed to complete the dichotic listening task based on consonant-vowel (CV) syllables in four
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Effectiveness of Comprehensive Health-literacy And Relaxing Music (CHARM) intervention on pregnancy-related anxiety among low-risk primigravid women: A randomized controlled trial Psychology of Music (IF 1.6) Pub Date : 2024-07-27 Meena Konsam, Samir Kumar Praharaj, Jyothi Shetty, Sunita Panda, Vani Lakshmi R, Asha Kamath, Sonia RB D’Souza
Pregnancy-related anxiety commonly occurs among first-time pregnant women, carrying an increased risk of harmful effects to both mother and the growing fetus or newborns. This study aims to assess the effectiveness of a Comprehensive Health-literacy And Relaxing Music (CHARM) intervention compared with two other stand-alone interventions (relaxing music–only intervention, comprehensive health literacy–only
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Book Review: Aaron Williamon, Jane Ginsborg, Rosie Perkins and George Waddell, Performing Music Research: Methods in Music Education, Psychology, and Performance Science Psychology of Music (IF 1.6) Pub Date : 2024-07-27 Michael Bonshor
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Using music to feel better: Are different emotion-regulation strategies truly distinct? Psychology of Music (IF 1.6) Pub Date : 2024-07-27 Jeffrey H Kahn, Kaylee C Enevold, Destiny Feltner-Williams, Kendall Ladd
People use music to regulate their emotions in a variety of ways. Whereas some of these strategies are conceptually and empirically distinct from one another, other strategies are not wholly distinguishable. We examined the distinctiveness among strategies used to regulate emotions via music listening. College students ( N = 274) completed an online questionnaire with closed-ended and open-ended items
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The effect of chord duration on the relative salience of chord-type and voicing changes Psychology of Music (IF 1.6) Pub Date : 2024-05-24 Ivan Jimenez, Tuire Kuusi, Juha Ojala, Peter Harrison
This study investigates the effect of chord duration on the relative salience of chord-type and voicing changes. Participants ( N = 111) with varying levels of musical training were presented with sequences of five block chords on the piano and asked to indicate which chord sounded most different. Each sequence consisted of three identical chords and two oddballs, one with a voicing change and one
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The effect of differentiated video presentations of choral performances on aesthetic responses of undergraduate choral and instrumental ensemble musicians Psychology of Music (IF 1.6) Pub Date : 2024-05-24 Charles R Robinson, Daniel J Keown
Research examining affective response to media modalities including film, television, gaming, video streaming, and virtual reality is expanding. This study examined aesthetic responses to choral performances presented in two contrasting video formats (stationary and produced). Volunteer undergraduate students ( N = 94) enrolled in ensembles (choral, n = 45; instrumental, n = 49) indicated their aesthetic
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The association between music performance skills and cognitive improvement in a musical instrument training program for older adults Psychology of Music (IF 1.6) Pub Date : 2024-05-15 Marcelo Kakihara, Xueyan Wang, Shoko Iwasaki, Takahiro Soshi, Masatoshi Yamashita, Kaoru Sekiyama
Recent studies have reported positive effects of music training on older adults’ executive functions. However, it is not completely known whether these outcomes were due to improvement in music performance skills or due to other components of training, such as social interaction and music listening. Here, we investigated the effect of a 10-week melodica training program on a group of healthy older
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Opening up openings: Zooming in on improvisation in the Theater of Home Psychology of Music (IF 1.6) Pub Date : 2024-05-15 Robert L Burke, Maria Sappho, Ross Birrell, Raymond MacDonald, Tia DeNora
This article presents a qualitative analysis of the opening section of an online improvisation session. The session, which was organized by the Glasgow Improvisers Orchestra, included an international group of musicians. It took place during the global COVID-19 pandemic where the participants were experiencing lockdown conditions. Phenomenological reflexive analysis and video elicitation techniques
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Cultivating meaning and self-transcendence to increase positive emotions and decrease anxiety in music performance Psychology of Music (IF 1.6) Pub Date : 2024-05-10 Elsa Perdomo-Guevara, Nicola Dibben
This article presents the findings of an intervention aimed at promoting positive emotions in music performance, as positive emotions are intrinsically valuable and can have associated benefits. The intervention sought to help participants conceive performance in more meaningful, self-transcendent terms. This study investigated whether the intervention helped performers to change their approach to
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Concurrent musical pitch height biases judgment of visual brightness Psychology of Music (IF 1.6) Pub Date : 2024-05-08 You Jeong Hong, Ahyeon Choi, Chae-Eun Lee, WooJae Cho, Sumin Yoon, Kyogu Lee
The integration of music sounds with concurrent visual scenes or objects is a occurrence in our daily lives, attracting the attention of researchers investigating how music influences our perceptions of simultaneous visuals. This study specifically investigates the role of musical pitch height in shaping our judgments of visual brightness during concurrent music–visual events. Participants were presented
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Children’s and adolescents’ engagement with music and the potential for (digital) empowerment processes: A text-mining-supported scoping review Psychology of Music (IF 1.6) Pub Date : 2024-04-26 Kathrin Smolarczyk, Lisa Birnbaum, Alexander Christ, Stephan Kröner
Extracurricular and out-of-school engagement with music is often associated with positive effects for musical goals while also holding potential for developmental and empowerment processes. The COVID-19 pandemic has highlighted the importance and the potential of digital technologies for facilitating musical engagement. The emergence of digitally transformed musicking has added complexity to the already
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Unraveling the interplay of emotions in art and music: An event-related potential investigation Psychology of Music (IF 1.6) Pub Date : 2024-04-24 Francesco De Benedetto, Eleonora Ghiraldini, Nausicaa Capizzi, Alice Mado Proverbio
The study examined the impact of music’s emotional content on the aesthetic experience of visual artworks during combined stimulation. The hypothesis posited that incongruity of emotional states induced by music would impede accurate comprehension of emotional aspect of artworks. A total of 18 university students were presented with 192 paintings and 20 emotionally congruent or incongruent musical
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Spiralling Engagement Experiences of Creativity (SEEC): A process of research-led arts creation for facilitating experiences of flourishing in participants’ lives Psychology of Music (IF 1.6) Pub Date : 2024-04-23 Julie Ballantyne, Eve Klein
Research in the area of Positive Psychology typically investigates positive psychological interventions and their impact on the lives of participants, positive psychology as an approach to enhance the lives of participants, or investigations of particular populations in search of evidence of flourishing. This paper presents a research process of embodied, creative engagement to facilitate the exploration
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Music-making facilitates acculturation and reduces acculturative stress: Evidence from a survey of migrants living in Germany Psychology of Music (IF 1.6) Pub Date : 2024-04-20 Jasmin Chantah, Emily Frankenberg, Zora Kasanda, Stephan Bongard
Beneficial effects of music on wellbeing and group cohesion are well established. Furthermore, participation in music groups has been shown to be associated with increased orientation to the host culture, while orientation to culture of origin appears to remain unaffected. In order to gain insight into the effects of music activities on acculturative stress in adult migrants, a group of musically active
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Personal strength and coping during the COVID-19 pandemic: A study of cultural workers in the music sector Psychology of Music (IF 1.6) Pub Date : 2024-04-11 Beate Elstad, Erik Døving, Dag Jansson
This study examines how cultural workers in the music sector coped with the COVID-19-induced lockdown, and how coping is associated with growth in personal strength during the pandemic. We conducted an online survey 1 year into the pandemic among members of Creo, Norway’s largest trade union in the music sector. Respondents ( N = 658) were to a large degree engaged in fight coping. Furthermore, seeking
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Charity begins with prosocial music: Musical differences in intertemporal prosocial discounting and generosity Psychology of Music (IF 1.6) Pub Date : 2024-04-10 Mei Hong, Dapeng Liang, Teng Lu
It has been demonstrated that exposure to music with prosocial lyrics can increase the accessibility of prosocial thoughts, leading to greater empathy and fostering helping behaviors. However, existing studies have largely neglected the intertemporal nature of altruism, limiting their scope of interpretation. The present research investigates the effects of attentively listening to music with prosocial
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The Aversive Musical Experience Scale (AMES): Measuring individual differences in the intensity of music-evoked aversion Psychology of Music (IF 1.6) Pub Date : 2024-04-05 Jonna K. Vuoskoski, Henna-Riikka Peltola
Strongly disliked music has the capacity to evoke strong negative emotions and physical sensations—at least in some listeners. Although previous (qualitative) studies on disliked music have provided valuable descriptions of listeners’ experiences, more generalizable approaches are needed for understanding individual differences in the intensity of music-evoked aversive experiences. This study set out
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The effects of a mindfulness meditation program on enhancing musical perception of time: A pilot study Psychology of Music (IF 1.6) Pub Date : 2024-04-04 Berke Ankaç, Hakkı Cengiz Eren, Erkan Sülün
Mindfulness meditation practices have garnered a lot of popularity in recent years. Various psychological benefits of mindfulness meditation have been documented in a myriad of literature. In this pilot study, we evaluated the effectiveness of a short-term mindfulness training program on time-based musical perceptions of pre-service music teachers. Here, time-based perception entails the accurate perception
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“There’s no one as honest as those in pain”: The language of Tom Petty’s song lyrics Psychology of Music (IF 1.6) Pub Date : 2024-03-20 Seth C Kalichman, Joshua M Smyth
Tom Petty’s songs are among the most recognized and influential in rock music. One aspect of Petty’s songs that contributes to his popularity is his use of language in his lyrics. The current study performed two sets of analyses: (a) to examine linguistic features of Petty’s song lyrics over the course of his songwriting career; and (b) to investigate similarities and differences between Petty’s lyrics
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Music performance anxiety can be facilitating or debilitating: Emotion accompaniment makes the difference Psychology of Music (IF 1.6) Pub Date : 2024-03-20 Emily Murphy, Molly F McGillivray, Peter D MacIntyre
Music performance anxiety (MPA) is most often defined as a negative experience that is harmful to successful performance, but potential facilitating effects of MPA often are acknowledged. The distinction between facilitating and debilitating effects often is attributed to various cognitive frameworks based on the quantity of anxiety, where smaller amounts may be helpful and larger amounts harmful.
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Very low association between multidimensional musical environment exposure and musical perception skills among children: Evidence from a large multilevel cross-sectional study Psychology of Music (IF 1.6) Pub Date : 2024-03-14 Hugo Cogo-Moreira, Anders Nordahl-Hansen
This study aimed to explore whether music perception is correlated with the load of exposure to musical activities in daily life, such as attending musical events, playing an instrument, attending music classes (at school or for a social project), and the time children spend listening to music using a non-experimental design. We are reusing data from the studies by Barros et al. and Cogo-Moreira &
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How Australian singers experienced disruption to choir participation caused by pandemic lockdowns: A thematic analysis Psychology of Music (IF 1.6) Pub Date : 2024-03-13 Belinda Densley, Katrina Andrews, Trudi Flynn
Benefits of group singing participation have been well established and group singing through social prescription has attracted recent research attention. This study offers a unique participant perspective on the benefits of regular singing group engagement by exploring what happened when access was lost through COVID-19 lockdowns. Sixty adult singers, including five facilitators, who ceased singing
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Music consumption and uses in Japan Psychology of Music (IF 1.6) Pub Date : 2024-03-13 Keegan Kok, Adrian C North, Takeshi Hamamura, Kongmeng Liew
This research investigates the relationship between music consumption and cultural dimensions within a Japanese context. Since Japan is the second largest music market globally, it is surprising that there is little focus on those factors often examined in cross-cultural research that might mean Western findings do not extrapolate well. A questionnaire using established measures of tightness–looseness
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Participatory online music creation as a crisis response: A qualitative case study Psychology of Music (IF 1.6) Pub Date : 2024-03-13 Yingjie Zheng, Hui Zhang
Online participatory music creation provided an opportunity to build the public’s psychological resilience during the COVID-19 lockdown measures that led to widespread negative emotions on a societal level. This study explored how online participation in music creation as a crisis response contributes to the public’s mental health. The study employed a qualitative method that combines network ethnography
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The characteristics of music video experiences and their relationship to future listening outcomes Psychology of Music (IF 1.6) Pub Date : 2024-03-06 Johanna N Dasovich-Wilson, Marc Thompson, Suvi Saarikallio
Music videos are a popular method of consuming music; however, the characteristics of these experiences and their effects on music perception are poorly understood. An online survey ( N = 155) was designed using theoretical insight from Dasovich-Wilson et al.’s (2022) Intention Attention Reaction and Retention (IARR) framework. The survey consisted of two parts: the first explored the key characteristics
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College music students during COVID-19: Examining the moderating effect of access to resources and stability of living on the relationship between perceived social support and mental health Psychology of Music (IF 1.6) Pub Date : 2024-03-04 Brian McGoldrick, Aaron Bradetich, Kris Chesky
The purpose of this study was to examine the relationship between perceived social support (PSS) and general mental health in collegiate music students during the COVID-19 pandemic. Furthermore, perception of access to academic resources and stability of living was analyzed as a moderator in the relationship between PSS and general mental health. Participants completed a survey that included the Mental
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Music engagement for stress and anxiety in adults during the COVID-19 pandemic: A systematic review Psychology of Music (IF 1.6) Pub Date : 2024-02-27 Katherine Zhang, Rina A Tabuchi, Kevin Zhang, Rachael Finnerty
The coronavirus disease 2019 (COVID-19) pandemic has caused heightened mental distress globally. The purpose of this systematic review is to investigate the impact of music engagement on stress and anxiety in adults during COVID-19. Thirteen articles were included, encompassing 9,893 adults and reporting on seven forms of music engagement: music listening, singing, playing an instrument, watching music
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Undergraduate jazz majors’ music identities: A multiple case study Psychology of Music (IF 1.6) Pub Date : 2024-02-27 Daniel Healy, Daniel J. Albert
The past few decades have seen formal jazz degrees become more established in university music programs in the United States. As these universities strive to provide an exemplary education experience for jazz degree majors, it is especially important to thoughtfully inquire into the personal and environmental elements that led students to pursue a jazz degree. The purpose of this multiple case study
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Analysis of triadic interaction between parents, their preterm infants, and a sonorous object Psychology of Music (IF 1.6) Pub Date : 2024-02-12 María Jánez-Álvarez, Iván Moreno-Llanos, Cristina Santacatalina-Pulido, Yinay José De León-Barrios, Eduardo García-Laredo, María Jesús Del Olmo-Barros, Cintia Rodríguez-Garrido
In the period between birth and approximately 9 months, adults introduce infants to triadic (adult–infant–object) communication. The objective of this study is to explore how early triadic interactions arise and develop in moderate–late preterm infants. We observed and analyzed seven preterm infants at 2, 3, and 4 months of age in triadic interactions with a caregiver and a sonorous object. In the
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Self-efficacy and music performance: A meta-analysis Psychology of Music (IF 1.6) Pub Date : 2024-02-12 Michael S Zelenak
While self-efficacy is known to play an important role in music performance, the magnitudes of reported effect sizes are inconsistent. The purpose of this meta-analysis was to estimate the population effect size for (a) the relationship between self-efficacy and achievement, (b) the relationship between self-efficacy and music performance anxiety (MPA), and (c) the influence of self-efficacy interventions
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Tones shape notes: The realization of lexical tones in Chaozhou songs Psychology of Music (IF 1.6) Pub Date : 2024-02-08 Xi Zhang
In tone languages where pitch is used to distinguish word meanings, questions arise about how tonal pitch is preserved in singing. While most studies focus on tone-melody matching by examining pitch changes between tones/notes, the pitch change of tones realized within individual notes is less investigated. This article explores how singers realized tones when singing in Chaozhou, a Southern Chinese
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Borderline personality disorder symptoms relationship with music use: Investigating the role of music preferences and functions of music Psychology of Music (IF 1.6) Pub Date : 2024-01-31 Karolina Kowalewska, Rafał Lawendowski, Karol Karasiewicz
Music preferences are molded with numerous personality variables, yet, this relation, as assumed in the study, may be mediated by functions of music expressing the psychological needs of the listener. Not many studies are devoted to the music preferences of listeners with personality disorders, whereas, none investigate this topic among people with Borderline Personality Disorder (BPD). A correlational
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The potential of group music education for developing empathy: An empirical study Psychology of Music (IF 1.6) Pub Date : 2024-01-31 Laura Cuervo, Emilia Campayo
This study examines the effect on students’ empathy of using group music activities based on composition and improvisation strategies. The research was carried out over a 9-month period using a pre–posttest control group quasi-experimental design. Sixty-three students took part in the study: 32 in the experimental group and 31 in the control group. The Interpersonal Reactivity Index scale was used
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Predictors of work engagement in professional musicians during the COVID-19 pandemic Psychology of Music (IF 1.6) Pub Date : 2024-01-23 Mădălina Dana Rucsanda, Cristina Radu-Giurgiu, Alexandra Belibou, Ana-Maria Cazan
While the coronavirus disease (COVID)-19 crisis is impacting many areas of society, some professions are more affected by the COVID-19 pandemic than others, especially by the feeling of insecurity about future working conditions. The present research was conducted during the pandemic and assesses the extent to which musicians’ desire to develop professionally, their work engagement and their motivation
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Calling the tune in maladaptive daydreaming: The impact of music on the experience of compulsive fantasizing Psychology of Music (IF 1.6) Pub Date : 2024-01-23 Eli Somer
This study aimed to shed light on the role of music in maladaptive daydreaming (MD), a psychological condition characterized by excessive, immersive daydreaming that interferes with well-being and functioning. Forty-one individuals with probable MD participated in asynchronous in-depth email interviews. A thematic analysis yielded three themes describing the role of music in MD. Two homogeneous themes
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The impact of musicking on emotion regulation: A systematic review and meta-analysis. Psychology of Music (IF 1.6) Pub Date : 2023-12-13 Valerie Peters,Josiane Bissonnette,Danielle Nadeau,Audrey Gauthier-Légaré,Marie-Audrey Noël
The ability to regulate one's emotions is integral to well-being and recent studies have documented the relationship between music and emotion regulation strategies. The purpose of this meta-analysis was to examine the impact of musicking on emotion regulation. To achieve this objective, a systematic database search for randomized control trial (RCT) studies was conducted. Eight studies that met the
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Emotional and musical factors combined with song-specific age predict the subjective autobiographical saliency of music in older adults. Psychology of Music (IF 1.6) Pub Date : 2023-10-16 Ilja Salakka,Anni Pitkäniemi,Emmi Pentikäinen,Pasi Saari,Petri Toiviainen,Teppo Särkämö
Music that evokes strong emotional responses is often experienced as autobiographically salient. Through emotional experience, the musical features of songs could also contribute to their subjective autobiographical saliency. Songs which have been popular during adolescence or young adulthood (ages 10-30) are more likely to evoke stronger memories, a phenomenon known as a reminiscence bump. In the
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Audiences’ emotional response to choir singing by people living with mental health conditions Psychology of Music (IF 1.6) Pub Date : 2023-04-19 Elyse Williams, Jolanda Jetten, Genevieve A. Dingle
Growing evidence shows that choirs improve the well-being of people experiencing chronic mental health conditions; however, the impact of performances by “recovery choirs” (i.e., singers with menta...
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Imprinting-like effects of early adolescent music Psychology of Music (IF 1.6) Pub Date : 2023-04-19 Jiayu Fu, Lynn KL Tan, Norman P Li, XT (XiaoTian) Wang
This research examines the hypothesis that music experienced during puberty in early adolescence imprints on individuals to promote the pursuit of friendships and mating. We conducted an online sur...
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Determinants of motivation in world-class musicians and Olympic athletes: Exploring the front and the back side of the medallion Psychology of Music (IF 1.6) Pub Date : 2023-04-02 Johannes Lunde Hatfield
The aim of the present case study was to obtain an in-depth understanding of the long-term motivation in four world-class musicians and two Olympic athletes. One part of the sample (Case 1) include...