个人简介
翟晶，江苏人，现任首都师范大学美术学院副教授、美术史系副主任。迄今发表学术论文六十余篇，主持教育部人文社科研究项目一项。2016年，作为演讲嘉宾参加“世界美术史大会”。2018年，应邀前往英国利兹大学访学。2019年，被评为首都师范大学“青年燕京学者培育对象”。
Zhai Jing, born in Jiangsu Province in 1978, is an associate professor of Capital Normal University, and the Deputy Director of the Department of Art History. She is a member of the Chinese Artists Association, and a member of the Art Theory Committee of Beijing Artists Association. She specializes in the study of post-colonial theories, feminism art and contemporary art, and has published over sixty books, articles, and translation works. In 2016, she was invited to attend the 34th World Congress of Art History as a speaker; in 2018, she went to the University of Leeds as a visiting fellow and stayed there for one year; in 2019, she was nominated as a “Young Yanjing Scholar” of Capital Normal University.
Books:
1) A Land without Soil: Art in the Perspective of Post-colonism, Published by: Intellectual Property Publishing House, Beijing, China, 2020.
2) A World on the Margin: On Homi K. Bhabha’s Postcolonial Theories, Published by: Culture and Art Publishing House, Beijing, China, 2013.
3) (Translation) Francis Haskell, The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition, Published by: Jiangsu Phoenix Fine Arts Publishing House, Nanjing, China, 2020.
4) (Translation) Terence Hawkes, Structuralism and Semiotics, Published by: Intellectual Property Publishing House, Beijing, China, 2017.
Translations:
1) Homi K. Bhabha, “Half-way House”, in World Art, vol. 2, 2017.
2) Jacques Derrida, “Restitutions of the Truth in Pointing”, in Donald Preziosi (ed.), Yi Ying (Chinese ed.), The Art of Art History: A Critical Anthology, Published by: Shanghai People’s Publishing House, 2015.
3) Donald Preziosi, “The Art of Art History”, in Zhou Xian (ed.), Documents of Western Contemporary Art Theories, Published by: SDX Joint Publishing Company, 2014. Also included in Donald Preziosi (ed.), The Art of Art History: A Critical Anthology, Published by: Shanghai People’s Publishing House, 2015.
近期论文
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1、 论文《都柏林的画廊圈》，载《世界美术》2020年第4期；
2、 论文《后殖民视域下的当代艺术：霍米·巴巴对艺术批评的介入》，载《文艺研究》2018年第2期；
3、 论文“永不回头的基质之河：马修·巴尼的River of Fundament”，载《燃点》2017年春季号（中英文）；
4、 论文“没有他者性的他者：论三位当代艺术家”，载《世界美术》2016年第4期；
5、 论文“不期而遇：论威廉·肯特里奇的艺术”，载《美术观察》2016年第4期；
6、 论文《于贝尔曼：图像·记忆·情感》，载《中国国家美术》2015·3；
7、 译文《定位中的真理还原》（雅克·德里达），载《艺术史的艺术》，上海人民出版社2015年；
8、 论文《彼得·道格：寻找神话》，载《中国国家美术》2014·3；
9、 论文《玛琳·杜马斯：穿越迷雾》，载《中国国家美术》2014·2；
10、 译文《艺术史的艺术》（普莱茨奥斯），载《艺术理论基本文献》，周宪主编，三联书店2014年；
11、 论文“凝视与矛盾：19世纪‘东方主义’绘画中权力结构的变化”，载《美术与设计》2012年第3期；
12、 论文《被模拟的身份：当代非西方艺术家对种族身份的僭越》，载《美术观察》2012·10；
13、 论文《西式教育与东方“学院艺术”》，载《美术》2012·6；
14、 论文《霍米?巴巴的身份观》，载《世界美术》2010·4；
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