黃仕宜 - 台湾清华大学 - 人文社会学院

个人简介

• Highest Degree / 最高學歷: Ph.D. in Theater Arts, Louisiana State University, USA 美國路易斯安那州立大學劇場藝術博士 • Job Title / 職稱: Associate Professor 副教授 • Teaching / 授課領域: 西洋戲劇史、戲劇理論、當代美國戲劇、美國文學、文學作品導讀 Western Theatre History, Dramatic Theory, Contemporary American Theatre, American Literature, Introduction to Literature Research Projects / 研究計畫 • 2018/08 - 2019/07 免疫現場：當代台灣劇場裡的死亡、愛與族群 Space, Epistemology and Ethics in Contemporary American Theater 中華民國科技部研究計畫主持人 Principle Investigator, Research Project, Ministry of Science and Technology, Taiwan •2014/08 - 2015/07 醫療與劇場 Medicine and Drama 中華民國科技部研究計畫主持人 Principle Investigator, Research Project, Ministry of Science and Technology, Taiwan •2012/08 - 2013/07 當代美國劇場中的空間、知識型與倫理 Venues of Immunization: Death, Love and Community in Contemporary Taiwanese Theatre 中華民國科技部研究計畫主持人 Principle Investigator, Research Project, Ministry of Science and Technology, Taiwan Work Experiences / 經歷 •2018/02 - Present 國立清華大學外國語文學系副教授 Associate Professor, Department of Foreign Languages and Literature National Tsing Hua University, Taiwan •2017/08 - 2018/01 淡江大學英文學系副教授 Associate Professor, Department of English Tamkang University, Taiwan •2010/07 - 2017/07 淡江大學英文學系助理教授 Assistant Professor, Department of English Tamkang University, Taiwan

研究领域

美國戲劇、文化研究、醫療與戲劇、倫理學 American Theatre, Cultural Studies, Medicine and Drama, Ethics

近期论文

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Journal Articles / 期刊論文 •〈A Farcical Tragedy: Communal Vision in George Bernard Shaw's The Doctor's Dilemma: A Tragedy〉.《文山評論：文學與文化 The Wenshan Review of Literature and Culture》. June 2017. (THCI-core). •"Utopia in Theatre: 'Mulian Rescues Mother Earth'"" in Ecocriticism in Taiwan: Identity, Environment, and the Arts. Edited by Chia-ju Chang and Scott Slovic, Lexington Books. June 2016. •〈歷史之餘：當代非裔美人劇場中缺席的父親們〉《中外文學》第44 卷‧ 第2 期‧2015 年6 月‧ 頁81-106 (THCI-core). Reprinted in 《非裔美國文學論文集》. Feb. 2018 (forthcoming). •〈何處是歸家？李維拉之《瑪莉莎》中的空間與倫理〉《英美文學評論》25(2014): 139-60。(THCI-core) •"Intimate Ethics and National Politics in Tony Kushner's Angels in America." Taipei: NTU Studies in Language and Literature. 29期 (June 2013) ， P87 – 115 (THCI-core) •"Who is Sylvia or Who Are We?: Alternative Subjectivity in Albee's The Goat or, Who is Sylvia?: Notes toward a Definition of Tragedy." New Taipei: Tamkang Review 42.1, Dec., 2011: 127-145. (THCI-core) •〈甘為他者盤飧：馬夏‧諾曼《晚安，媽》劇中之自殺以求重生〉. Ed. Hanping Chiu. Review of English and American Literature《英美文學評論》. Kaoshuang: Spring 2006: 181-203. (THCI-core) Book Chapters / 專書論文 •"A Reverse Alchemy: Capitalism, Nationalism, Epistemplogy, and Ethics in Mary Zimmerman's Metamorphoses." Kairos: Studies in Cultures and Literatures 1.1. Taipei: Crane. 2010. 75-92. Conference Papers / 研討會論文 •2015「生命倫理與醫學人文」研討會︰身體、心理與疾病書寫」高雄醫學院（Center of Languages and Culture, Kaohsiung Medical University) "To protect or to negate." Oct. 2, 2015. •ACLA 2015 "Forgiveness and Time—Gendered Trauma in Women's Theatre" March 26-28, 2015. "Unsettling the Sense of Community in the Xiao Zi-Han Dance Troupe's 'Love Gleaners'" •International Symposium on Literature and the Environment in East Asia (ISLE-EA). Okinawa, Japan. Nov. 22-23, 2014. •"A Farcical Tragedy: Community in George Bernard Shaw's The Doctor's Dilemma: A Tragedy" 英美文學研討會（政大）--Nov. 1, 2014 •"黑人劇場中的缺席父親" 中華民國比較文學會議高師大 May 17, 2014 •"Trauma and the Production of Memory in Paula Vogel's How I Learned to Drive and Diana Son's Stop Kiss" The First International Deleuze Studies in Asia Conference May 31-June 2, 2013 (Tamkang University, Taipei, Taiwan) •"Bodily Orifices as a Site of Cultural Intervention in Cherrie Moraga's The Hungry Woman: The Mexican Medea" 3rd Asian Conference on Cultural Studies (the Cultural Studies Association of Australasia) May 24-26 2013 (the Ramada Osaka, Osaka, Japan) •"Spectacle and space: epistemological anxiety (ethics) in Jose Rivera's Marisol" 20th Annual Conference of the English and American Literature Association (EALA) of the Republic of China & English Department, Fu Jen Catholic University, Nov. 24 2012 (Taipei, Republic of China) •"Who is Sylvia or who are we?: Alternative Subjectivity in Albee's The Goat or, Who Is Sylvia?" 34th Annual Comparative Drama Conference Loyola Marymount University, March 25-27, 2010 (Los Angeles, CA) •"The Disruption of Male Sexual Discourse in Paula Vogel's Hot 'n' Throbbing" SBAI Grad Conference, University of Rochester, Feb 25-26, 2010 (Rochester, New York) •"Two Split or a Merged One: Ethical Reconsideration in Mary Zimmerman' Metamorphoses" National Popular Culture Association and American Culture Association (PCA/ACA) April 8-11, 2009 (New Orleans) •"The Wisdom of Love: The Interplay of Mythos and Logos in David Henry Hwang's The Sound of a Voice" 2009 SETC Theatre Symposium, "The Prop's the Thing: Stage Properties Reconsidered" at Wake Forest University, April 3-5, 2009 (Winston-Salem, North Carolina) •"When Baby Gives Birth to Parents: The Dramatization of the Stasis of Time in Paula Vogel's And Baby Makes 7" Comparative Drama Conference Loyola Marymount University, March 26-28, 2009 (Los Angeles, CA) •"A Reverse Alchemy: Capitalism, Epistemology and Ethics in Mary Zimmerman's Metamorphoses" Theatre History Symposium of the 2009 Mid-America Theatre Conference, March 3-5, 2009 (Chicago, IL) •"Self-Devouring and Self-Proliferation: the Inner Revolution in Marsha Norman's 'Getting Out'" LSU Women's and Gender Studies Student Conference, March 24, 2006. Baton Rouge, LA •"The Construction of Characters through Narrative in John Lyly's Galatea" 16th Annual Mardi Gras Conference at Louisiana State University, Feb. 10, 2006 (Baton Rouge, LA) •"Eaten by the Other" English and American Literature Association Conference, December, 2004 (Hsinchu, Taiwan)