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‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty
Critical Studies in Television ( IF 0.9 ) Pub Date : 2024-11-20 , DOI: 10.1177/17496020241301585 Nicholas Holm, Jennalee Donian
Critical Studies in Television ( IF 0.9 ) Pub Date : 2024-11-20 , DOI: 10.1177/17496020241301585 Nicholas Holm, Jennalee Donian
One of Cartoon Network’s most successful shows ever, Rick and Morty (2013–present) has established a cult following for its blend of dark humour and existential themes. However, the show is more than just a representation of popular nihilism; through its sustained engagement with nihilistic themes, it also demonstrates how nihilism can be embraced, exhausted, and potentially eventually surpassed in a popular context. Drawing on Richard Hoggart’s model of “social hermeneutics,” this article analyses key episodes as a means to think through the broader trajectory of nihilism as an influential element of twenty-first century popular culture.
中文翻译:
“我非常痛苦,请帮助我”:虚无主义、幽默和瑞克和莫蒂
作为卡通频道有史以来最成功的节目之一,瑞克和莫蒂(2013 年至今)因其融合了黑色幽默和存在主义主题而建立了一批狂热的追随者。然而,该节目不仅仅是流行虚无主义的代表;通过对虚无主义主题的持续参与,它还展示了虚无主义如何被接受、耗尽,并可能最终在流行的环境中被超越。借鉴理查德·霍格特 (Richard Hoggart) 的“社会解释学”模型,本文分析了关键事件,以此作为思考虚无主义作为 21 世纪流行文化有影响力元素的更广泛轨迹。
更新日期:2024-11-20
中文翻译:
“我非常痛苦,请帮助我”:虚无主义、幽默和瑞克和莫蒂
作为卡通频道有史以来最成功的节目之一,瑞克和莫蒂(2013 年至今)因其融合了黑色幽默和存在主义主题而建立了一批狂热的追随者。然而,该节目不仅仅是流行虚无主义的代表;通过对虚无主义主题的持续参与,它还展示了虚无主义如何被接受、耗尽,并可能最终在流行的环境中被超越。借鉴理查德·霍格特 (Richard Hoggart) 的“社会解释学”模型,本文分析了关键事件,以此作为思考虚无主义作为 21 世纪流行文化有影响力元素的更广泛轨迹。