Art-viewing is a defining component of society and culture, in part because the experience involves a wide-range and nuanced configuration of emotional and cognitive responses. Precisely because of this complexity, however, questions of the actual nature, scope, and variety of art experience remain largely unanswered: what kinds of patterns do we exhibit, how do various components go together, and can these be distilled into shared experiential outcomes? We introduce an exploratory study based on 345 individuals’ unique experiences with one of three sets of artworks. Experiences were assessed via 46 affective and cognitive items based on a recent model, with individuals reporting to what degree they felt each during their encounter. Network and latent profile analyses revealed five patterns, aligning to a Harmonious, Facile, Transformative, and two Negative outcomes. These largely supported model hypotheses, connected to specific appraisals, and could be found, although with varying probability, across individual viewers and artworks.

中文翻译：

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当我们看艺术时会发生什么？：对博物馆视觉艺术的共同、超级反应背后的情感/认知方面的探索性网络模型和潜在概况分析


艺术观看是社会和文化的一个决定性组成部分，部分原因是这种体验涉及情感和认知反应的广泛而微妙的配置。然而，正是由于这种复杂性，关于艺术体验的实际性质、范围和多样性的问题在很大程度上仍未得到解答：我们展示了什么样的模式，各种组成部分是如何组合在一起的，以及这些能否被提炼成共同的体验结果？我们介绍了一项探索性研究，该研究基于 345 人对三组艺术品之一的独特经历。根据最近的模型，通过 46 个情感和认知项目对体验进行评估，个人报告他们在遭遇过程中对每个项目的感受程度。网络和潜在概况分析揭示了五种模式，分别对应于和谐、简单、变革和两个负面结果。这些在很大程度上支持模型假设，与特定的评估有关，并且可以在个人观众和艺术作品中找到，尽管概率不同。