Abstract:

This article examines the connections of El gran teatro del mundo with heterodox intellectual traditions that the Spanish Inquisition targeted for scrutiny or censorship. While many critics have considered El gran teatro del mundo a prominent example of Calderón de la Barca’s Catholic orthodoxy, this study ponders discursive elements that link the auto sacramental to Neoplatonic natural philosophy. Indeed, this work reveals elements that connect it to the intellectual world associated with early modern natural philosophy, such as its implicit conception of matter (magia naturalis), the divinization of space, and the anthropomorphization of the world. Close scrutiny of Calderón de la Barca’s drama reveals elements that connect it to Kabbalistic traditions, particularly the anthropomorphization of space which links with the Kabbalistic notion of Adam-Kadmon. Having explored these connections to intellectual currents outside the realm of Catholic orthodoxy, the article concludes by examining textual strategies Calderón de la Barca deployed to allay potential accusations of heresy.

 抽象的：

本文探讨了世界大剧院与西班牙宗教裁判所审查或审查的异端知识传统之间的联系。虽然许多评论家认为《世界大剧院》是卡尔德隆·德·拉·巴尔卡天主教正统观念的一个突出例子，但这项研究思考了将自动圣礼与新柏拉图自然哲学联系起来的话语元素。事实上，这部作品揭示了将其与早期现代自然哲学相关的知识世界联系起来的元素，例如其隐含的物质概念（ magia natureis ）、空间的神化和世界的拟人化。对卡尔德隆·德拉·巴尔卡戏剧的仔细审视揭示了它与卡巴拉传统的联系，特别是与亚当·卡德蒙的卡巴拉概念相关的空间拟人化。在探讨了这些与天主教正统领域之外的知识潮流的联系后，本文最后通过研究卡尔德龙·德·拉·巴尔卡为减轻潜在的异端指控而采用的文本策略进行了总结。