Abstract:

Pedro Calderón de la Barca and the philosopher Baruch Spinoza manifested, each in their own way, that profound interest in the intricacies of the human being that was so characteristic of early modern mentalities. The playwright and philosopher each delved into the exploration of passions and affections, construed as being in constant conflict with reason. These pages analyze the common ties between Spinoza’s Ethics and some of the touchstones of Calderon’s dramatic corpus, including La vida es sueño, El médico de su honra, La dama duende, and El mágico prodigioso. The correspondences between Spinoza and Calderón will help us understand conceptions of emotions in early modernity, whether in scientific inquiry or in literature and theater. In this sense, Calderonian characters present striking examples of complex psyches whose twists and turns are physically translated. Their actions, gestures, and speeches also reveal a relentless pursuit of recognition from a rational point of view.

 抽象的：

佩德罗·卡尔德隆·德·拉·巴尔卡和哲学家巴鲁克·斯宾诺莎以各自的方式表现了对人类错综复杂的深刻兴趣，这是早期现代心态的特征。这位剧作家和哲学家都深入探索了激情和情感，这些情感和情感被解释为与理性的不断冲突。这些页面分析了斯宾诺莎的《伦理学》和卡尔德隆戏剧语料库的一些试金石之间的共同联系，包括《生命之梦》 、 《医生》 、 《圣母》和《神奇天才》。斯宾诺莎和卡尔德龙之间的对应关系将帮助我们理解现代早期的情感概念，无论是在科学探究中还是在文学和戏剧中。从这个意义上说，卡尔德隆笔下的人物展现了复杂心理的惊人例子，其曲折和转折都被物理地转化了。他们的行动、手势和言语也从理性的角度流露出对认可的不懈追求。