The Naoshima Onna Bunraku, an all-female bunraku troupe on the island of Naoshima in Japan's Seto Inland Sea, has revitalized a puppetry tradition dating back to the Edo period (1603–1868). This article examines how the Naoshima Onna Bunraku negotiates the pull of its local, community-oriented past and its global present as a folk performing art on an island now known for art tourism as the site of the Setouchi Triennale. I trace Naoshima's puppetry networks from the Seto Inland Sea that nurtured their ancestors to new networks that extend globally to reveal the dynamic flows that animate and sustain puppetry on Naoshima.

中文翻译：

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直岛的木偶网络


直岛恩纳文乐是日本濑户内海直岛的一个全女性文乐剧团，它复兴了可追溯到江户时代（1603-1868 年）的木偶传统。本文探讨了直岛恩纳文乐如何在一个如今以艺术旅游而闻名的濑户内三年展举办地的岛屿上，协调其以社区为导向的过去的当地影响力和作为民间表演艺术的全球现状。我追溯了直岛的木偶网络，从濑户内海培育了他们的祖先，到扩展到全球的新网络，以揭示直岛木偶活动的动态流动和维持。