There is a notable similarity between the objectives of Architecture and Fashion Design. Both disciplines aim to protect and establish a sense of identity for their users. Similarly, analogous design strategies may be employed. One such strategy is the fold. The act of folding a surface results in the formation of a three-dimensional volume. The intrinsic two-dimensionality of the surface gives rise to the formation of space, which is characterised by three dimensions. The air that is trapped by the envelope provides the necessary space for the users. In the context of clothing, the enclosed space is relatively limited and personal. In contrast, in the field of Architecture, the space is of a larger scale and serves a collective purpose, accommodating a variety of activities. Consequently, the processes of designing a building or a piece of clothing are analogous, differing only in terms of scale, time, and materials. The employment of the fold as a point of departure for architectural and Fashion Design projects entails a comparable design process in which concepts such as continuity, superposition, and faceting are associated with this folded mechanism. Consequently, the resulting outcomes, particularly those pertaining to mass and aesthetic perception, exhibit notable similarities.

中文翻译：

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折叠作为一种设计策略：建筑与三宅一生作品之间的类比


建筑和时装设计的目标之间存在显着的相似性。这两个学科都旨在保护用户并为其建立认同感。类似地，可以采用类似的设计策略。其中一种策略是弃牌。折叠表面的行为导致三维体积的形成。表面固有的二维性导致了空间的形成，空间的特征是三维。被围护结构截留的空气为用户提供了必要的空间。就服装而言，封闭的空间相对有限且个性化。相比之下，在建筑领域，空间规模更大，服务于集体目的，可容纳各种活动。因此，设计一座建筑或一件衣服的过程是相似的，只是在规模、时间和材料方面有所不同。使用折叠作为建筑和时装设计项目的出发点需要一个类似的设计过程，其中连续性、叠加和刻面等概念与这种折叠机制相关联。因此，所产生的结果，特别是那些与大众和审美感知有关的结果，表现出显着的相似性。