Abstract:

The technology industry’s recent spatial turn presents new opportunities for theatre and performance in the twenty-first century. One such opportunity is augmented reality (AR), a technology that overlays digitally rendered assets onto the user’s physical space, giving the appearance that those assets populate the physical world. Through an analysis of The Builders Association’s Elements of Oz, which incorporated mobile AR into its stage production, as well as Bitter Wind, the author’s adaptation of Agamemnon for the Microsoft HoloLens headset, this essay analyzes the interpretive possibilities AR creates for theatre and performance.

 抽象的：

科技行业最近的空间转变为二十一世纪的戏剧和表演带来了新的机遇。其中一个机会就是增强现实 (AR)，这是一种将数字渲染资产覆盖到用户的物理空间上的技术，使这些资产看起来像是存在于物理世界中。本文通过分析 Builders Association 的《绿野仙踪》（将移动 AR 融入其舞台制作）以及《苦风》（作者为 Microsoft HoloLens 耳机改编的《阿伽门农》），分析了 AR 为戏剧和表演创造的诠释可能性。