This article examines Shabih’khani, a traditional ritual performance in Iran also known as Ta’ziyeh, in the context of the ‘Woman, Life, Freedom’ movement. It includes the historical challenges faced by Iranian women in a patriarchal society dominated by politics and religion, augmenting existing research on women’s Shabih’khani through recently discovered documents that show the erasure of feminine symbols within the tradition. The article also explores the theatrical conventions, dramaturgical elements, and historical reasons for the emergence and decline of women’s Shabih’khani, together with factors that contribute to the endurance of men’s Shabih’khani. By drawing connections and comparisons between Shabih’khani and the contemporary ‘Woman, Life, Freedom’ movement, it illuminates the factors shaping the movement and offers insights into its potential for success and progress.

中文翻译：

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伊朗女权主义重读沙比赫哈尼

本文在“妇女、生命、自由”运动的背景下探讨了 Shabih'khani，伊朗的一种传统仪式表演，也称为 Ta'ziyeh。它包括伊朗妇女在政治和宗教主导的父权社会中面临的历史挑战，通过最近发现的显示传统中女性符号被消除的文件，扩大了对妇女沙比哈尼的现有研究。文章还探讨了女性沙比哈尼的戏剧惯例、戏剧元素和历史原因，以及导致男性沙比哈尼得以持久的因素。通过对沙比赫哈尼与当代“妇女、生命、自由”运动之间的联系和比较，它阐明了影响该运动的因素，并提供了对其成功和进步潜力的见解。