• Contributors

Jeffrey M. Brown is Associate Professor of English at Saint Joseph's University, where he teaches courses in modern literature, theatre, and the medical humanities. His current research considers the ways in which the theatre both models and elicits modes of affective engagement that are central to medical education, narrative medicine, and bioethics. His work has recently appeared in the journals Modern Drama, Text & Presentation, and Life Writing, as well as in the essay collection Cli-Fi and Class: Socioeconomic Justice in Contemporary American Climate Fiction (University of Virginia Press, 2023).

Araceli González Crespán is Associate Professor at the University of Vigo in Spain and a member of the NETEC research group (http://netec.webs.uvigo.es./en). Her current research deals mainly with female playwrights in contemporary American theatre and addresses notions of sexuality, gender, ethnicity, and difference. Her book Desafío y Convención. Imágenes de la mujer sureña en Lillian Hellman (2005) analyzes the representation of female characters in Hellman's southern plays. Her most recent publications are "The Cuban Rafter Crisis on Stage: Humanizing the Experience of Refugees in María Irene Fornés' Manual for a Desperate Crossing" in American, British and Canadian Studies (2022); and "Wonder, Refuge, Promise: Explorations and Discoveries of America in Maria Irene Fornes' Final Plays" in Latin American Theatre Review (2022).

Nicholas Duddy is a doctoral candidate in English at Balliol College, University of Oxford. Supported by a John Monash Scholarship, his research explores representations of suicide in Anglophone drama after the Second World War. His writing has appeared in Antipodes: A Global Journal of Australian and New Zealand Literature, Cordite Poetry Review, Meniscus, TEXT: Journal for Writing and Writing Courses, and The Saltbush Review, among others. In 2023, he was a dissertation fellow at the University of Texas at Austin's Harry Ransom Center.

Christine Froula is Professor of English, Comparative Literary Studies, and Gender Studies at Northwestern University. Her research on modernism includes "Orlando Lives: Virginia Woolf's Orlando in Global Adaptation and Performance" (2013), "Goldie's 'War and Peace': Marinetti Meets Aristophanes and Beethoven in Bloomsbury" (2020), Virginia Woolf and the Bloomsbury Avant-Garde (2005), Modernism's Body: Sex, Culture, and Joyce (1996), To Write Paradise: Style and Error in Ezra Pound's Cantos (1984), and Katherine Mansfield and Virginia Woolf (coedited; 2018). Dramatic adaptations include "The Words" (2021), the libretto for John Austin's opera Heloise and Abelard (2012) and "Emancipatory Legacies: A Séance" (2005). Current projects include "Make It Old New: Modernist Classics in 21^st-Century Art and Aesthetics" and a coedited collection of Bloomsbury plays.

Richard Gilbert is Adjunct Professor of Theater and English at Loyola University, Chicago. His research interests include theatrical violence, theories of representation, and adaptation. He is also a violence designer whose work has been seen in dozens of theatres in Chicago and around the country. He is currently working on a textbook for theatrical violence design, under contract with Routledge.

Jay Malarcher is an Associate Professor and Dramaturg at West Virginia University. A scholar of comedy, he has published extensively on all areas of comedy and is working on a book of comedy theory tentatively titled The Situation of Comedy. His first book, The Classically American Comedy of Larry Gelbart, is the definitive look at a legendary comedy writer. Jay also taught American comedy in Zagreb, Croatia, as a Fulbright Scholar during the 2009–10 academic year.

Carla J. McDonough is an Assistant Professor of English at Belmont University in Nashville, Tennessee, specializing in Modern and Contemporary Drama. Her current scholarship melds ideas from performance art, art theory, antiracism and dramatic theory to explore ways that contemporary playwrights engage in cultural critique of racial and gendered narratives. She is the author of the book Staging Masculinity: Male Identity in Contemporary American Drama, and she has published articles in Modern Drama, Theatre Journal, and the Journal of Dramatic Theory and Criticism. Most recently, her research explores comedy and satire as a method of social justice activism in the works of various contemporary playwrights and performers.

Laura Milburn is a doctoral student at the University of Birmingham, UK. Her thesis focuses on Noël...

• 贡献者

杰弗里·布朗 (Jeffrey M. Brown)是圣约瑟夫大学英语系副教授，教授现代文学、戏剧和医学人文课程。他目前的研究考虑了戏剧如何塑造和引发情感参与模式，这些模式对于医学教育、叙事医学和生物伦理学至关重要。他的作品最近发表在《现代戏剧》、《文本与演示》和《生活写作》杂志上，以及论文集《Cli-Fi and Class：当代美国气候小说中的社会经济正义》（弗吉尼亚大学出版社，2023 年）。

Araceli González Crespán是西班牙维戈大学的副教授，也是 NETEC 研究小组 (http://netec.webs.uvigo.es./en) 的成员。她目前的研究主要涉及当代美国戏剧中的女性剧作家，并探讨性、性别、种族和差异的概念。她的书《Desafío y Convención》。Imágenes de la mujersureña en Lillian Hellman (2005) 分析了赫尔曼南方戏剧中女性角色的表现。她最近出版的著作有《舞台上的古巴椽子危机：玛丽亚·艾琳·福内斯的《绝望穿越手册》中难民经历的人性化”，《美国、英国和加拿大研究》（2022 年）；以及《拉丁美洲戏剧评论》 （2022 年）中的“奇迹、避难所、承诺：玛丽亚·艾琳·福恩斯最后一部戏剧中对美国的探索和发现” 。

尼古拉斯·达迪 (Nicholas Duddy)是牛津大学贝利奥尔学院英语专业的博士生。在约翰·莫纳什奖学金的支持下，他的研究探讨了第二次世界大战后英语戏剧中自杀的表现。他的作品曾发表在《Antipodes：澳大利亚和新西兰文学全球期刊》、《Cordite Poetry Review》、《Meniscus》、《TEXT：写作和写作课程杂志》和《Saltbush Review》等杂志上。2023年，他成为德克萨斯大学奥斯汀分校哈里·兰塞姆中心的论文研究员。

克里斯汀·弗鲁拉 (Christine Froula)是西北大学英语、比较文学研究和性别研究教授。她对现代主义的研究包括《奥兰多的生活：弗吉尼亚·伍尔夫的奥兰多在全球的适应和表现》（2013）、《戈尔迪的《战争与和平》：马里内蒂在布卢姆斯伯里遇见阿里斯托芬和贝多芬》（2020）、《弗吉尼亚·伍尔夫与布卢姆斯伯里前卫派》 （2005），《现代主义的身体：性、文化和乔伊斯》（1996），《书写天堂：埃兹拉·庞德诗章中的风格与错误》（1984），以及凯瑟琳·曼斯菲尔德和弗吉尼亚·伍尔夫（合编；2018）。戏剧性改编作品包括《The Words》（2021 年）、约翰·奥斯汀歌剧《Heloise and Abelard》的剧本（2012 年）和《解放遗产：降神会》（Emancipatory Legacies: A Séance，2005 年）。目前的项目包括“Make It Old New：21^世纪艺术与美学中的现代主义经典”以及合编的布鲁姆斯伯里戏剧集。

理查德·吉尔伯特是芝加哥洛约拉大学戏剧和英语兼职教授。他的研究兴趣包括戏剧暴力、再现理论和改编。他也是一名暴力设计师，其作品曾在芝加哥和全国各地的数十家剧院上演。他目前正在与劳特利奇签订合同，编写一本戏剧暴力设计教科书。

杰伊·马拉彻 (Jay Malarcher)是西弗吉尼亚大学的副教授兼剧作家。作为一名喜剧学者，他在喜剧的各个领域发表了大量著作，并正在编写一本暂定名为《喜剧情境》的喜剧理论书。他的第一本书《拉里·格尔巴特的经典美国喜剧》是对一位传奇喜剧作家的权威审视。2009-10 学年，杰伊还在克罗地亚萨格勒布作为富布赖特学者教授美国喜剧。

卡拉·麦克唐纳 (Carla J. McDonough)是田纳西州纳什维尔贝尔蒙特大学的英语系助理教授，专攻现代和当代戏剧。她目前的学术研究融合了表演艺术、艺术理论、反种族主义和戏剧理论的思想，探索当代剧作家对种族和性别叙事进行文化批判的方式。她是《Staging Masculinity: Male Identity in Contemporary American Drama》一书的作者，并在《Modern Drama》、《Theatre Journal》和《Journal of Dramatic Theory and Criticism》上发表文章。最近，她的研究探讨了喜剧和讽刺作为各种当代剧作家和表演者作品中社会正义行动主义的一种方法。

劳拉·米尔伯恩是英国伯明翰大学的博士生。她的论文重点是诺埃尔……