WandaVision launched the Disney+ subscription video-on-demand (SVOD) platform by blending the sitcom and the superhero genres in a nostalgia-inducing fusion of Marvel comics, cinema and television. The series represents the canonisation of Marvel media into a single cohesive narrative ‘multiverse’, yet the story focuses on the personal experience of the character, Wanda, and her struggle with loss, grief, and Post-Traumatic Stress Disorder (PTSD). In this article, we explore how WandaVision presents a unique examination of the tension between the role of screen media as comfort TV and the pervasive fears over the obsessive escapism of binge-watching. The article also assesses the potential risks of excessive media consumption through the framing of American sitcoms and superhero families from the 1950s and onward.

中文翻译：

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《万达视界》中的狂看和精神疾病与舒适电视和心理健康

万达视界推出了 Disney+ 订阅视频点播 (SVOD) 平台，将情景喜剧和超级英雄类型融合到漫威漫画、电影和电视的怀旧融合中。该系列代表了漫威媒体将漫威媒体经典化为一个单一的、有凝聚力的叙事“多元宇宙”，但故事的重点是旺达这个角色的个人经历，以及她与失落、悲伤和创伤后应激障碍 (PTSD) 的斗争。在本文中，我们将探讨旺达幻视如何对屏幕媒体作为舒适电视的角色与人们对追剧的强迫性逃避现实的普遍恐惧之间的紧张关系进行独特的审视。文章还通过 20 世纪 50 年代及以后的美国情景喜剧和超级英雄家庭的框架来评估过度媒体消费的潜在风险。