This article explores the Ring Shout as a corporeal conjuring of Black-togetherness. Theoretically, I embrace the notion of assembly in ways that offer new comprehension around both implicit and explicit modes of embodiment in constant play within Black cultural modes. I turn to the research of Katrina Hazzard-Donald, Dr. Yvonne Daniel, and M. Jacqui Alexander for theoretical grounding regarding diasporic Afro-spiritualities, while artists such as Talley Beatty, Reggie Wilson, and Chief Xian aTunde Adjuah (formerly Christian Scott) provide landmarks for the artistic and aesthetic discourse of the text. I introduce a concept, AfrOist, as a navigation through and toward a recontextualization of centralized Africanist tendencies. With this shift, cultural inheritances are remembered and claimed.

中文翻译：

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“环形呼喊”：黑人团结的实体召唤

本文探讨了“响铃呼喊”作为黑人团结的物质召唤。从理论上讲，我接受集会的概念，其方式为黑人文化模式中不断发挥的隐性和显性体现模式提供了新的理解。我转向卡特里娜·哈扎德-唐纳德 (Katrina Hazzard-Donald)、伊冯·丹尼尔 (Yvonne Daniel) 博士和雅基·亚历山大 (M. Jacqui Alexander) 的研究，为流散的非洲精神提供理论基础，同时也参考塔利·比蒂 (Talley Beatty)、雷吉·威尔逊 (Reggie Wilson) 和 Chief Xian aTunde Adjuah​​（前身为克里斯蒂安·斯科特 (Christian Scott)）等艺术家的研究为文本的艺术和美学话语提供里程碑。我引入了一个概念，AfrOist，作为对集中的非洲主义倾向的重新语境化的导航。随着这种转变，文化遗产被铭记并被索取。