The focus of this article is the range of feminisms which circulate through Belfast-based Oona Doherty's choreographies for groups of women, namely the second episode of Hard to Be Soft: A Belfast Prayer (2017), which is titled ‘Sugar Army', and Lady Magma: The Birth of a Cult (2019). This analysis is motivated by the need to expand discussion of feminisms in tandem with examination of more complex identities in Northern Ireland: to look beyond a Nationalist–Unionist binary within post-conflict society and examine the intersections of gender, class and race. Tracking the movement of feminisms through Doherty's choreographies will explore how they mobilize, and fail, these women, as well as revealing the potential for, and pitfalls of, community and solidarity. Doherty's work has the potential to mobilize a dynamic intergenerational and intersectional feminism which recognizes the experiences of ‘differently positioned women’.

中文翻译：

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《女性圈子》：乌娜·多尔蒂编舞中的女权主义运动

本文的重点是贝尔法斯特 Oona Doherty 为女性群体编排的女权主义范围，即《女权主义》的第二集。难以软弱：贝尔法斯特祈祷（2017），标题为“糖军”，以及岩浆女士：邪教的诞生（2019）。这一分析的动机是需要扩大对女权主义的讨论，同时审视北爱尔兰更复杂的身份：超越冲突后社会中的民族主义与统一主义二元论，并审视性别、阶级和种族的交叉点。通过多尔蒂的编舞追踪女权主义运动将探索她们如何动员和失败这些女性，并揭示社区和团结的潜力和陷阱。多尔蒂的作品有潜力动员一种动态的代际和交叉女权主义，承认“不同地位的女性”的经历。