The account here is in the spirit of the short pieces that periodically used to appear under the rubric ‘Reports and Announcements’ at the back of New Theatre Quarterly. Its purpose is to invite the journal’s readers from all over the world – and they are truly from across our whole planet – to be aware of the very existence of a major theatre event of socio-historical and artistic significance to our shared field of interest; and to give them some insight into the evolution of this event in its interface with political and social change, which, in the current times, have become increasingly brutal. The theatre field is vast, as vast and varied as the approaches and perspectives within it, the positions long held, shifting, or newly taken, and the stakes at play, differently for different people in different political, social, and cultural contexts. The Theatre Olympics, established in 1995, seek to pay tribute to, and activate interaction between, the multifarious humanity that makes theatre and is embodied in it.

中文翻译：

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2023 年布达佩斯戏剧奥林匹克运动会

这里的叙述符合经常出现在《报告和公告》后面的“报告和公告”标题下的短文的精神。新戏剧季刊.其目的是邀请来自世界各地的杂志读者——他们确实来自整个地球——了解对我们共同感兴趣的领域具有社会历史和艺术意义的重大戏剧事件的存在；并让他们深入了解这一事件与政治和社会变革的演变，在当今时代，政治和社会变革变得越来越残酷。戏剧领域是广阔的，其方法和观点、长期持有、转变或新采取的立场以及所涉及的利害关系都如此广阔和多样，对于不同政治、社会和文化背景下的不同人来说都是不同的。戏剧奥林匹克运动会成立于 1995 年，旨在向创造戏剧并体现在戏剧中的形形色色的人性致敬，并激发他们之间的互动。