This spatial and contextual approach to the performance of assembly takes Dîner en Blanc, an annual pop-up picnic, as a case study. Ethnographic and choreographic analyses of the 2018 picnic event in Vancouver, Canada, ground a critique of the dynamics of site specificity and host/guest relations that drive this local expression of a global event. Drawing on a range of performance and decolonial theorists, this place-based movement analysis of the event foregrounds the recolonizing implications of staging aesthetically whitewashed culinary choreographies on the unceded and traditional territories of the Squamish, Musqueam, and Tsleil-Waututh First Nations.

这种集会表演的空间和情境方法以一年一度的临时野餐“Dîner en Blanc”为案例研究。对 2018 年加拿大温哥华野餐活动的民族志和编舞分析，对场地特殊性和主客关系的动态进行了批评，这些动态推动了全球活动的本地表达。借鉴了一系列表演和非殖民理论家的经验，对这一事件的基于地点的运动分析突出了在斯阔米什、玛斯昆族和茨莱尔-沃图斯原住民的未割让和传统领土上上演美学上粉饰的烹饪编排的重新殖民影响。