Live coding is a celebrated practice that is used in many areas, combined with a variety of artistic fields. Code poetry is a form of poetry with many variations, all of which have a common rule: the code that is or produces the poem must compile without errors. The meeting point of live coding and code poetry seems to have not yet been thoroughly explored, leaving space for experimentation and research. Certain attempts have already been made, where live coding is either approached through natural language or used to break up and merge chunks of existing poems, forming new ones. Computer code has also been used to write deterministic opera librettos, following the code poetry paradigm. This article focuses on the literary and artistic attributes of code, on code poetry and on the existing attempts to combine it with live coding. It also highlights the narrative attribute of musical live coding to formulate a rationale for combining live coding with code poetry in a musical context. The goal is to examine the possibilities of this combination, as well as how this can be achieved, from a technical point of view.

实时编码是一种著名的实践，与各种艺术领域相结合，应用于许多领域。代码诗是一种有多种变体的诗歌形式，所有变体都有一个共同的规则：构成或产生诗歌的代码必须编译无误。现场编码和代码诗的交汇点似乎还没有被彻底探索，留下了实验和研究的空间。已经进行了某些尝试，其中实时编码要么通过自然语言进行，要么用于分解和合并现有诗歌块，形成新的诗歌。计算机代码也被用来遵循代码诗歌范式来编写确定性歌剧剧本。本文重点讨论代码的文学和艺术属性、代码诗歌以及将其与现场编码相结合的现有尝试。它还强调了音乐现场编码的叙事属性，以阐述在音乐背景下将现场编码与代码诗相结合的基本原理。目标是从技术角度研究这种组合的可能性，以及如何实现这一点。