Director Luca Guadagnino's film Suspiria (2018) depicts the dancer Susie Bannion joining a dance academy secretly run by a coven of witches in Berlin during the German Autumn of 1977. This article analyzes how Mary Wigman's Hexentanz II, contemporary dance, and horror film practices inform Susie's neo-expressionist movement form, which is also steeped in the discourse surrounding the RAF (Red Army Faction), the West German far-left militant organization, and fascism. I argue that “historical breathing”—breaths and sighs—takes on a sensorial mode by surveying the past and current situation of the dance school. By inhaling, Susie embodies the dance Volk (1948) and can feel its vexed choreographic history—its occult origins and Ausdruckstanz practices. Furthermore, her dance futilely attempts to comes to terms with the Nazi past but inevitably replicates the violence of the RAF.

中文翻译：

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通过卢卡·瓜达尼诺 (Luca Guadagnino) 的《阴风阵阵》 (2018) 中的恐怖电影类型重温德国现代舞的历史

卢卡·瓜达尼诺导演的电影阴风（2018 年）描绘了 1977 年德国秋天，舞者苏西·班尼恩 (Susie Bannion) 加入柏林女巫集会秘密经营的舞蹈学院。本文分析了玛丽·威格曼 (Mary Wigman) 的舞蹈经历赫克森坦兹 II、当代舞蹈和恐怖电影实践为苏西的新表现主义运动形式提供了信息，这种形式也沉浸在围绕英国皇家空军（红军派）、西德极左激进组织和法西斯主义的话语中。我认为“历史的呼吸”——呼吸和叹息——通过审视舞蹈学校的过去和现在的状况，呈现出一种感官的方式。通过吸气，苏西体现了舞蹈沃尔克（1948）并且可以感受到它令人烦恼的编舞历史——它的神秘起源和 Ausdruckstanz 实践。此外，她的舞蹈徒劳地试图与纳粹的过去达成协议，但不可避免地复制了英国皇家空军的暴力。