The fields of media archaeology and data sonification have not been without contestation regarding means and methods. However, in combination, these fields present an opportunity for a novel approach to the creation of media archaeologically informed sound-based art. This article discusses the artistic use of data sonification techniques and the need to balance the musification of data while maintaining a sense of the underlying data. The use of data sonification techniques within media archaeology to facilitate the organisation of sound is briefly discussed. A framework is presented for utilising data sonification to facilitate the organisation of sound within the lens of media archaeology inquiry. Such an approach provides a novel method in media archaeologically informed sound-based art that utilises the sound of the artefact as a method of expression between genealogically related forms of media. A sound installation developed by the authors is presented that critically examines the use of, and gives concrete form to, the framework and the ideas established in this article.

媒体考古学和数据超声化领域并非没有关于手段和方法的争论。然而，结合起来，这些领域提供了一个机会，可以用一种新颖的方法来创造媒体考古学的基于声音的艺术。本文讨论了数据听觉化技术的艺术运用，以及在保持对底层数据的感知的同时平衡数据的听觉化的需要。简要讨论了在媒体考古学中使用数据超声技术来促进声音的组织。提出了一个框架，用于利用数据超声化来促进媒体考古学调查镜头内的声音组织。这种方法在基于媒体考古学的基于声音的艺术中提供了一种新方法，该方法利用人工制品的声音作为谱系相关媒体形式之间的表达方法。展示了一个由作者开发的声音装置，它批判性地检验了本文中建立的框架和思想的使用，并给出了具体的形式。