This article examines the CBC/Netflix co-production Anne with an E (2017–19), a leading example of cross-platform co-production whose legacy is disrupted by the drama’s unexpected cancellation. Theories of cultural and media imperialism are discussed to contextualise this circumstance, along with an overview of the Canadian media policy context. The relationship between the CBC’s public service model and Netflix’s subscription service is considered, followed by an analysis of the increased cultural representation of the drama, which incorporates Black, queer and Indigenous identities. The article concludes by suggesting what Anne with an E’s cancellation may mean for the future of cross-platform co-productions.

本文探讨了 CBC/Netflix 联合制作的Anne with an E (2017-19)，这是跨平台联合制作的一个典型例子，其遗产因该剧意外取消而中断。讨论了文化和媒体帝国主义理论以将这种情况与加拿大媒体政策背景结合起来。考虑了 CBC 的公共服务模式和 Netflix 的订阅服务之间的关系，然后分析了该剧增加的文化代表性，其中包含了黑人、酷儿和土著身份。文章最后提出了取消E 的安妮对跨平台联合制作的未来可能意味着什么。