Stephenson argues that although the theatre of the real promises authentic encounters, these are not possible;instead performances "meditate on that impossibility and the conditions under which a singular secure real fails to manifest" (17) The book comprises eight chapters, the first ("Introduction") and last ("Coda: Theatres of the Real in the Age of Post-Reality") of which situate the project geographically, theoretically, and historically Jenn Stephenson's provocative, theoretically rigorous contribution to the field, I Insecurity: Perils and Products of Theatres of the Real, i poses this question and many more [Extracted from the article] Copyright of Theatre Survey is the property of Cambridge University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission However, users may print, download, or email articles for individual use This abstract may be abridged No warranty is given about the accuracy of the copy Users should refer to the original published version of the material for the full abstract (Copyright applies to all Abstracts )

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不安全感：真实剧院的危险和产品 Jenn Stephenson。多伦多：多伦多大学出版社，2019；pp. viii + 286, 10 张图片。75 美元的布，75 美元的电子书。

斯蒂芬森认为，尽管真实的剧院承诺真实的相遇，但这些是不可能的；相反，表演“沉思那种不可能和单一安全真实无法显现的条件”（17）这本书包括八章，第一章（ “Introduction”）和最后一个（“Coda：后现实时代的现实剧场”）在地理上、理论上和历史上定位了 Jenn Stephenson 对该领域的挑衅性、理论上严谨的贡献，I Insecurity: Perils and真实剧院的产品，我提出了这个问题等等用户可以打印、下载或通过电子邮件发送文章供个人使用 本摘要可能会被删节 不保证副本的准确性 用户应参考材料的原始发布版本以获取完整摘要（版权适用于所有摘要）或电子邮件文章供个人使用 本摘要可能会被删节 不保证副本的准确性 用户应参考材料的原始出版版本以获取完整摘要（版权适用于所有摘要）或电子邮件文章供个人使用 本摘要可能会被删节 不保证副本的准确性 用户应参考材料的原始出版版本以获取完整摘要（版权适用于所有摘要）