This article presents an autoethnography that interweaves the queering of archive, affect, and place using an object-oriented method. Engaging with a hundred-year-old antique photo album found in a thrift store, this article brings forth queer (re)visions of past, present, and future that (re)imagine queer (be)longing, which expand spheres of ancestral consciousness in 2SLGBTQIAA+ communities. Situated in the United States, this work traces the entanglements in this object-oriented autoethnography through a mapping of queer identity in the Pacific Northwest, capturing temporal reflections that reach from the present back into 1918 and back further still into the early English colonies. In orienting towards the realm of queering child and youth care this work seeks to contribute to a cultivation of discourse of collective (re)visions of past, present, and future that uproots the enshrined settler-colonial, white supremacist, heteropatriarchal, capitalist ethos that continuously crafts the layered erasures of sex, gender, and sexually diverse people in the United States. I endeavour in the threading of autoethnography, both as a white settler and in my being and continually becoming, a genderqueer, trans person struggling and thriving, to critically query the implications of this history within the present and to (re)affirm the possibilities for queer and trans youth in the future.

中文翻译：

---

酷儿（重新）对儿童和青少年护理中的存档、影响和位置的看法

本文介绍了一种自我民族志，它使用面向对象的方法将档案、情感和场所的酷儿交织在一起。本文结合在旧货店发现的具有百年历史的古董相册，提出了对过去、现在和未来的酷儿（重新）愿景，以（重新）想象酷儿（是）渴望，扩大了祖先意识的领域在 2SLGBTQIAA+ 社区。这件作品位于美国，通过太平洋西北地区酷儿身份的映射，追溯了这种面向对象的自我民族志中的纠葛，捕捉了从现在到 1918 年以及更远的早期英国殖民地的时间反射。在面向酷儿儿童和青少年护理领域的过程中，这项工作旨在促进培养对过去的集体（重新）愿景的话语，现在和未来将根深蒂固的定居者殖民主义、白人至上主义、异父权制、资本主义精神连根拔起，这些精神不断地在美国对性、性别和性多样化的人进行分层擦除。我努力将自民族志贯穿其中，无论是作为一个白人定居者，还是在我的存在和不断成为一个挣扎和繁荣的性别酷儿、跨性别者，以批判性地质疑这段历史在当下的影响，并（重新）确认实现以下目标的可能性未来的酷儿和跨性别青年。