When I signed off the previous ‘Year’s work’ article I naively looked forward to a year ahead of restored travel to international conferences and other trappings of the ‘old normal’. Instead it has been another year of Zooming here and Teaming there and e-books and e-learning. All of this has brought such disruption and steep learning curves that, even amongst the few positives which academics may have found in our ongoing lockdown lives, we could be forgiven for not producing any new work at all. Not so stylisticians. To Simpson’s (2014: 4) three ‘Rs’, we can now add ‘resilience’, for stylisticians seem to have responded to the crisis of the pandemic by continuing to produce work of incredible breadth and depth. To paraphrase the epigraph from Bram Stoker, it is really wonderful how much resilience there is in stylistics. The same resilience cannot be necessarily attributed to me, so I wish to bring forward the disclaimer that often comes at the end of the ‘Year’s work’ that it is not possible to acknowledge all of the work produced in stylistics in a single year in a single article. Trying to be as comprehensive as possible has been complicated by the conditions of lockdown, for example where ‘remote access’ has not been granted or where publishers refuse steadfastly to stray from the new e-book obsession. Nonetheless the article aims to be a fairly thorough snapshot, if there is such a thing, into the resilient and unfaltering stylistics of 2020. As always, articles published in Language and Literature are not included in the references section to protect the impact factor of the journal but they are given with relevant volume and issue numbers so that readers can locate them. The sections into which the article is organised are not necessarily intended to indicate definitive

中文翻译：

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2020年文体学年度工作

当我在之前的“年度工作”文章上签字时，我天真地期待着提前一年恢复参加国际会议的旅行和其他“旧常态”的陷阱。取而代之的是，这里又是 Zooming 和那里 Teaming 以及电子书和电子学习的一年。所有这一切都带来了如此大的混乱和陡峭的学习曲线，即使在学者们在我们持续的封锁生活中可能发现的少数积极因素中，我们完全没有产生任何新工作也是可以原谅的。不是那么文体家。对于 Simpson (2014: 4) 的三个“R”，我们现在可以添加“复原力”，因为造型师似乎已经通过继续制作具有令人难以置信的广度和深度的作品来应对大流行的危机。套用 Bram Stoker 的题词，文体有多大的弹性真是太棒了。同样的韧性不一定要归功于我，所以我想提出一个经常在“年度工作”结束时出现的免责声明，即不可能在一年内承认所有文体学方面的工作。单篇。由于封锁的条件，试图尽可能全面而复杂化，例如在没有授予“远程访问”权限的情况下，或者出版商坚决拒绝偏离对新电子书的痴迷。尽管如此，这篇文章的目的是对 2020 年的弹性和坚定不移的风格进行相当彻底的快照（如果有的话）。与往常一样，为了保护期刊的影响因子，《语言与文学》上发表的文章不包含在参考文献部分，但会给出相关的卷号和期号，以便读者可以找到它们。文章被组织成的部分并不一定意味着明确的