Dance Research Journal ( IF 0.4 ) Pub Date : 2022-02-07 , DOI: 10.1017/s0149767721000401 Hodel Ophir
As a woman Palestinian dancer and choreographer in Israel, Sahar Damoni performs within multiple contexts of cultural, gendered, and political oppression, employing her bodily art to challenge these structures, most poignantly through dances that express and evoke pleasure and sensual joy. Offering a detailed ethnography of three of Damoni's performances within one year in Israel/Palestine, I argue that an examination of her artistry provides unique insight into the intricate workings—and transgressions—of gender, ethnic, and national boundaries through the movement of the body in dance.
中文翻译:
向越界跳舞:巴勒斯坦舞者萨哈尔·达莫尼的快乐政治
作为以色列的一名巴勒斯坦女舞者和编舞,萨哈尔·达莫尼在文化、性别和政治压迫的多种背景下进行表演,她运用她的身体艺术来挑战这些结构,最尖锐的是通过表达和唤起快乐和感官快乐的舞蹈。我提供了达莫尼一年内在以色列/巴勒斯坦的三场表演的详细民族志,我认为对她的艺术性的考察提供了独特的洞察力,通过身体的运动来了解性别、种族和国家界限的错综复杂的工作和越界。在舞蹈中。