Present-day inquiries into aspects of 19th century performance style mark the growing quest to revive practices of post-1800 music repertoire. This paper aims to trace whether there be found an impact of recordings made by 19th century violinists of coeval repertoire on current performers who've recorded the same works. Early, intermediate, and present-day recordings (N = 81) of three late-romantic compositions were analyzed for the manner of execution of varied performance features. While similarities between early and current period players were traced to a certain extent, several early period distinctives are still rather absent from prevalent praxis. Results may shed light on performance style and interpretation of late C19 violin repertoire and on the influence of sonic documentation on 21st century players.

当今对 19 世纪表演风格方面的调查标志着对恢复 1800 年后音乐曲目实践的日益增长的追求。本文旨在追踪是否发现 19 世纪小提琴家录制的同时代曲目对当前录制相同作品的表演者的影响。早期、中期和现在的录音（N = 81) 分析了三种晚期浪漫主义作品的不同表演特征的执行方式。虽然在一定程度上追溯了早期和当代球员之间的相似之处，但在流行的实践中仍然缺乏一些早期的独特之处。结果可能会揭示 C19 晚期小提琴曲目的演奏风格和解释，以及声音记录对 21 世纪演奏者的影响。