The alternative culture in Poland formed between the late 1970s and the second half of the 1990s. In this period many artists were moving from cities into the countryside in order to find space for independent and experimental art. Among these new settlers were Erdmute and Wacław Sobaszek, who made their home in a small rural settlement of Węgajty in the 1980s. The Sobaszeks converted an abandoned farm into a stage and soon their undertaking became one of the most prominent alternative theatres in Poland. This article explores intersections of the Sobaszeks's art and rural landscape through the lens of humanistic geography, anthropology and philosophy. The purpose of the article is to reveal a deep attachment of the artists to local, rural space and to examine how it shapes their performances and community building. In the article, the Węgajty Theatre is recognized as ‘landscape theatre’, a term which attempts to emphasize a bond between the theatre and the natural environment.

中文翻译：

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Węgajty 剧院的风景

波兰的另类文化形成于 1970 年代后期至 1990 年代后半期。在此期间，许多艺术家从城市搬到农村，以寻找独立和实验艺术的空间。在这些新定居者中，有 Erdmute 和 Wacław Sobaszek，他们于 1980 年代在 Węgajty 的一个小型农村定居点安家。Sobaszeks 将一个废弃的农场改造成舞台，很快他们的事业成为波兰最著名的替代剧院之一。本文从人文地理学、人类学和哲学的角度探讨了索巴斯泽克人的艺术与乡村景观的交叉点。这篇文章的目的是揭示艺术家对当地、乡村空间的深深依恋，并研究它如何塑造他们的表演和社区建设。在文章中，