This article analyses how the political circumstances of the extermination of transgender people in Brazil aggravates the vulnerable conditions of performing-arts production. Cisgender dominance in theatre is presented as a neoliberal and colonial factor that maintains trans people in structural danger within artistic processes. While whiteness produces an ethnocentrism in Brazilian arts, cisgenderness causes an ‘ethno-cis-centrism’. For trans people, ‘gender bioterrorism’ represents an alternative strategy for navigating performing arts and society.

中文翻译：

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危险中的性别：巴西表演艺术中的跨危险人群

本文分析了巴西灭绝跨性别者的政治环境如何加剧表演艺术制作的脆弱条件。戏剧中的顺性别主导地位被呈现为一种新自由主义和殖民因素，使跨性别者在艺术过程中处于结构性危险之中。虽然白人在巴西艺术中产生了种族中心主义，但顺性别导致了“种族中心主义”。对于跨性别者来说，“性别生物恐怖主义”代表了一种驾驭表演艺术和社会的替代策略。