In this article, I argue that the spectacle of American football, and the performance practices of HBCU dance lines birthed within it and seasoned in queer nightclubs, propelled Black “femme-inintiy” from the sidelines to the center of choreographic and discursive practices of Black liberation. I wed queer Black feminism with Yoruba cosmology to analyze three protests instigated during three NFL events in 2016: Beyoncé's Super Bowl performance, the direct actions of Black Lives Matter activists at the Super Bowl, and Assata's Daughters’ protest at the NFL Draft. Ultimately, I theorize the generative potential of spectacle and uplift the organizing and labor of queer Black femmes and gender nonconforming people in the Movement 4 Black Lives.

中文翻译：

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碧昂丝的超级碗眼镜和运动中的黑人力量编排 4 Black Lives

在这篇文章中，我认为美式足球的奇观，以及 HBCU 舞蹈台词的表演实践在其中诞生并在酷儿夜总会中久经考验，将黑人的“女性气质”从场边推向了黑人舞蹈和话语实践的中心解放。我将酷儿黑人女权主义与约鲁巴宇宙学结合起来，分析了 2016 年三场 NFL 赛事中引发的三场抗议活动：碧昂丝的超级碗表演、超级碗中黑人生命问题活动家的直接行动，以及阿萨塔的女儿们在 NFL 选秀中的抗议。最终，我将奇观的生成潜力理论化，并提升了运动 4 Black Lives 中酷儿黑人女性和性别不合格者的组织和劳动。