The following article discusses a collaborative, reenactment film made with the residents of a drug rehabilitation center in Iquitos, Peru. In so doing, it raises questions about narratives of recovery from addiction, and the tensions that emerge between these narratives and the often-ambivalent feelings of the people who tell them. Practices of filmmaking and reenactment generate a collaborative theorization of lived experience—in this case, the multifaceted natures of both addiction and recovery. At the same time, these practices are also attentive to the embodied memories and complex feelings of the film's actors. Further engagement with the filmic materials demonstrates how the film became an active exploration of the ongoing nature of recovery, complicating the therapeutic trajectories of a group of actors struggling to reconcile ambivalent feelings as they attempt to craft new narratives of self.

中文翻译：

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第二次机会：秘鲁戒毒中心的重演和恢复叙事

以下文章讨论了与秘鲁伊基托斯戒毒中心的居民合作制作的重演电影。这样做时，它提出了关于从成瘾中恢复的叙述的问题，以及这些叙述与讲述它们的人经常矛盾的感觉之间出现的紧张关系。电影制作和重演的实践产生了生活经验的协作理论——在这种情况下，成瘾和康复的多方面性质。同时，这些做法也很注意电影演员的具体记忆和复杂感情。与电影材料的进一步接触展示了电影如何成为对正在进行的恢复性质的积极探索，