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The problem of socio-territorial inequality in cultural policies: Unveiling policy frames through Barcelona policies (2019–2023) Poetics (IF 2.0) Pub Date : 2024-12-06 Mariano Martín Zamorano Barrios, Nicolás Barbieri Muttis
This article examines how cultural policy frames embody and shape inequalities in cultural participation within urban settings. It explores both historical and contemporary policy frames, scrutinizing various approaches to cultural democratization and intersectional equity. From this perspective, we study how the cultural policies advanced by the Barcelona City Council framed inequalities in urban
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The role of hope and fear in the impact of climate fiction on climate action intentions: Evidence from India and USA Poetics (IF 2.0) Pub Date : 2024-12-02 W. P. Malecki, Matthew Schneider-Mayerson, Aino Petterson, Małgorzata Dobrowolska, Jagadish Thaker
There is a growing consensus that climate fiction might be an effective communication strategy to move the public on climate. However, empirical evidence documenting such an effect is limited, especially when it comes to climate fiction's potential to induce emotions of hope and fear, which are of key importance to the ongoing debate about the social effects of climate messages. To address this gap
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Designed for success or failure: Differences in funding and rejection in the space of applications to the Danish Art Foundation among craftsmen and designers Poetics (IF 2.0) Pub Date : 2024-11-29 Sebastian Diemer Mørk, Anton Grau Larsen
Craft and design are art forms that teeter on the boundary of being considered art. Because of this, these mediums are an ideal case to examine how the Danish Art Foundation funds these arts and what this says about the distinction of the arts in a Danish context. This article analyses 1898 full-text applications for funding - both the ones that have been awarded funding and the ones that have been
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Divergences and convergences across European musical preferences: How taste varies within and between countries Poetics (IF 2.0) Pub Date : 2024-11-29 Laurie Hanquinet, Mark Taylor
When investigating relational structures in culture, research in Europe has often either mapped the relationship between cultural tastes in a particular context, or mapped differences in cultural tastes (measured consistently) in different countries, without assessing how these differences can vary across them. Indeed, the idea of national homology (namely that the structures of cultural capital would
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Mapping knowledge: Topic analysis of science locates researchers in disciplinary landscape Poetics (IF 2.0) Pub Date : 2024-11-22 Radim Hladík, Yann Renisio
The study presents a new approach for constructing an epistemological coordinate system that locates individual researchers within the disciplinary landscape of science. Drawing on a comprehensive national dataset of scientific outputs, we build a topic model based on a semantic network of publications and terms derived from textual content comprising titles, abstracts, and keywords. Compositional
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Stratification of educational quality judgments: Insights from two factorial survey experiments on socioeconomic differences in student and parent evaluations Poetics (IF 2.0) Pub Date : 2024-11-13 Francisco Olivos
The use that agents do of cultural knowledge to navigate institutions is a major explanation of inequalities. Nevertheless, the difficulties accessing culture knowledge have led sociologists of education to often rely on declarative forms of culture to gauge explanations on inequalities. Based on the case of Chile, this study contributes to educational inequality research by using factorial survey
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Does culture improve affective well-being in everyday life? An experimental sampling approach Poetics (IF 2.0) Pub Date : 2024-11-13 Marc Verboord, Larissa Fritsch, Neta Yodovich, Alysa Karels, Lucas Page Pereira, Eva Myrczik
This research note studies how cultural participation impacts affective well-being in everyday life by taking a novel methodological approach via Experience Sampling Methodology (ESM). The potential for culture to improve the well-being of citizens has been a long-running subject of study. Through participation in cultural activities, individuals would gain experiences that foster feelings of liberation
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Comparison of ambiguity and aesthetic impressions in haiku poetry between experts and novices Poetics (IF 2.0) Pub Date : 2024-11-01 Jimpei Hitsuwari, Michio Nomura
Haiku, the world's shortest form of poetry, has usually been deemed ambiguous owing to its length. However, studies have shown that ambiguity lowers the aesthetic evaluation of a haiku, which contradicts the belief that ambiguity is a characteristic of both the haiku and art in general. One reason for this contradiction may be the interaction with the readers’ attributes, in particular, their expertise—a
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Homologies in fields of cultural production. Evidence from the European scientific field Poetics (IF 2.0) Pub Date : 2024-10-31 Pierre Benz, Kristoffer Kropp, Trine Cosmus Nobel, Thierry Rossier
This article suggests a comparative field analytical approach to fields of cultural production. Combining concepts from field analysis and focusing on homology with topic modeling and multiple correspondence analysis, we compare four scientific disciplines and show homological structures along both internal and external principles of differentiation. The empirical analysis suggests that despite major
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The costliest signals of authenticity? How iconic deaths transform audience reception in hip-hop Poetics (IF 2.0) Pub Date : 2024-10-30 Xiangyu Ma
The death of an artist can act as a costly signal of their authenticity, and cause enduring changes in audience valuations of their work. Drawing on novel digital trace data of audience evaluations from a major online music community, we show how the death of an hip-hop artist induces improvements to the valuations of their antemortem work. Such death-induced changes to audience valuations are mediated
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Mapping epistemic pluralism: A network analysis of discursive practices in communities promoting refused knowledge about healthcare and wellbeing Poetics (IF 2.0) Pub Date : 2024-10-21 Marco Serino, Ilenia Picardi, Giancarlo Ragozini
This article presents an analysis of discourses performed in communities that share and disseminate knowledge refused by institutional science. The study focuses on an online community concerned with alkaline water, food, and lifestyle, aiming at understanding how promoters of refused knowledge in this community enrol other forms of knowledge, including science. Theoretically, this work is framed in
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Digital media revolution and stratificational inertia: A historical study of media usage and sociopolitical stratification in the age of social media Poetics (IF 2.0) Pub Date : 2024-10-16 Majsa Stina Grosen, Morten Fischer Sivertsen, Jannie Møller Hartley
Very few studies have deployed a historical focus in investigating how changes in the media environment in the twenty-first century have altered the connection between cross-media consumption, political (dis)interest, and dimensions of social stratification. This paper contributes to the literature on the nexus between democracy, citizens, and media through a historical study of media use among Danish
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Hidden patterns of inequality: The heterogeneity in parenting within educational groups Poetics (IF 2.0) Pub Date : 2024-09-27 Asta Breinholt
When sociology deals with differences within groups of similar socioeconomic status, research and theorizing tend to focus on the heterogeneity among the socioeconomically advantaged thus representing the socioeconomically disadvantaged as homogeneous. This study is a case of the opposite. For at set of high-stake cultural practices, parental strategies for social reproduction, I find most heterogeneity
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Sustainable creative careers through mentoring: Understanding social resilience in the art field Poetics (IF 2.0) Pub Date : 2024-09-25 Åsne Dahl Haugsevje, Mari Torvik Heian
In recent years, there has been a rise in career development programs for artists, including various types of mentoring programs. However, research on mentoring is scarce within the field of cultural policy. In this paper, we analyse mentoring as a tool for developing creative careers by investigating three different programs implemented in the Norwegian art field. The analysis is based on qualitative
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A taxonomy of artists’ postures to grasp the plurality of cultural production practices: Putting an end to the cicada and the ant Poetics (IF 2.0) Pub Date : 2024-08-30 Thierry Beaupré-Gateau, Joëlle Bissonnette
The rooted dichotomy between art and economy tends to simplify our understanding of the conditions under which makers of cultural products operate. The contingencies of the last decades, leading to a greater plurality of artists’ practices, urge us to create new conceptual tools to seize the effective cultural production structures. This paper aims to open this dichotomy - anchored in institutional
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Structural predictors of private museum founding Poetics (IF 2.0) Pub Date : 2024-07-31 Johannes Aengenheyster
In the last decades a new organizational population of private museums has seen substantial proliferation. While multiple hypotheses for the spread of this new form have been raised, systematic analyses of these have been lacking. In particular, the rise of private museums has been hypothesized to stem from tax incentives, reductions in government spending, increasing inequality and increasing elite
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The relational forms of cultural-creative crowdfunding: A typology of practices through mapping platforms in Europe and Latin America Poetics (IF 2.0) Pub Date : 2024-07-15 Alice Demattos Guimarães, Natalia Maehle, Lluís Bonet
Cultural-creative crowdfunding (CCCF) intersects the culture sector production chain and alternative finance technology as a global web-enabled phenomenon for funding cultural-creative activities. Yet, busking or aspects of patronage are not new to artists and cultural-creative agents; the novelty is doing so through a virtual intermediator space, a crowdfunding platform (CFP). CFPs have proliferated
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Symbolism, purpose, identity, relation, emotion: Unpacking the SPIREs of sense of place across digital and physical spaces Poetics (IF 2.0) Pub Date : 2024-07-09 Jaime Banks, Nicholas David Bowman
When personal meaning and knowing emerge for a space, that space moves beyond a labeled locale to become a such that one develops an idiosyncratic knowing or Sense of Place (SoP). Decades of scholarship have animated understandings of SoP for locales, however that work is inconsistent in operationalizing the construct and largely limited to positively valenced, physical spaces. To begin addressing
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Multilingualism and mismatching: Spanish language usage in college admissions essays Poetics (IF 2.0) Pub Date : 2024-07-07 AJ Alvero, Rebecca Pattichis
In US K-12 education, the Spanish language is subject to practices and policies that limit its expression, especially among racialized Latinx students. However, higher education claims to view Spanish as a positive form of diversity. We therefore examine college admissions essays to analyze how students strategically deploy Spanish in light of these contradictions. We use two years of undergraduate
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The meaning of autonomy: How artists justify career paths Poetics (IF 2.0) Pub Date : 2024-07-06 Yucheng Liu
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From rhymes to revelation:A qualitative study of listeners’ meaning-making of hip-hop music Poetics (IF 2.0) Pub Date : 2024-06-30 Cedra van Erp, Danielle N.M. Bleize, Serena Daalmans
Hip-Hop as a music genre is a popular music genre both in commercial success and global impact and there is a variety of academic studies on the origins, creation, effects, and uses of hip-hop. What remains understudied, yet fundamentally important, is a perspective that takes hip-hop consumers and the way they give meaning to hip-hop as a musical genre. The current in-depth interview study (N = 20)
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Reading culture as shared ethos: A study of Finnish self-identified readers Poetics (IF 2.0) Pub Date : 2024-06-19 Pirjo Hiidenmaa, Ilona Lindh, Maaria Linko, Roosa Suomalainen, Timo Tossavainen
This article advances understanding about book reading as a sociocultural phenomenon in the 2020s. We make a contribution to the cultural sociology of reading by investigating Finnish self-identified book readers by analysing the significance of sociodemographic variables (gender, education, age, and place of residence) in terms of reading activity and access to books. Our study is placed in the context
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Blurred Authorities: How Exposure to Conflicting Accounts Increases Strong Democrats’ Openness to Partisan Conspiracy Narratives Poetics (IF 2.0) Pub Date : 2024-05-29 Marcus Mann
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Towards a sociology of recurrent events. Constellations of cultural change around Eurovision in 18 countries (1981–2021) Poetics (IF 2.0) Pub Date : 2024-05-24 Luca Carbone, Jonathan Mijs, Thijs van Dooremalen, Stijn Daenekindt
Sociologists usually conceptualize events as unexpected occurrences bringing about long-lasting transformations of social structures. Following this definition, most empirical studies of events focus on pre/post-measurement strategies. Yet not all events are unexpected (e.g., Eurovision, Oscar nominations, the Olympics). Moreover, pre/post-measurements cannot capture the temporality in which meaning-making
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Youth's experiences with books: Orientations towards digital spaces of literary socialisation Poetics (IF 2.0) Pub Date : 2024-05-23 Luz Santa María, Kris Rutten, Cristina Aliagas-Marín
This article reports the findings of an interpretative phenomenological analysis (IPA) of ten interviews with participants aged 13 to 23 from international contexts on youths’ experiences of literary socialisation. Guided by affect theory and cultural geographies, the research examines the affective intensities arising from those experiences that render possible digital participation around books,
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Creative industries in transition: A study of Santiago de Chile's autopoietic cultural transformation Poetics (IF 2.0) Pub Date : 2024-05-21 Christian Morgner, Tomás Peters
Much of the research on cultural and creative industries has been ‘Western-centric’, but recent interest into cultural and creative industries in the Global South confirms that this conceptual frame is not always directly transferable. This first comprehensive analysis of the last three decades of cultural and creative industries in Santiago de Chile is based on detailed participant observations and
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Fear of the bear? Rewilding, rural agencies and politics in two documentaries in Trentino and the Pyrenees Poetics (IF 2.0) Pub Date : 2024-04-30 Carlo Berti, Enric Castelló
In Trentino and the Pyrenees, the population of bears has grown since the 1990s, when new specimens were released into the wild to recover this endangered species. The reintroduction generated a conflictive cohabitation with village dwellers, the shepherding sector, and rural initiatives in both areas. The aim of this research is to evaluate how local media and two audiovisual documentaries covered
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The bookshelf's ‘magic circle’: An ethnographic study of classificatory encounters in library spaces Poetics (IF 2.0) Pub Date : 2024-04-16 Katherine Quinn
This article analyses classificatory encounters in a unique library with integrated academic and public book collections. Employing Walter Benjamin's image of the organised bookshelf as a ‘magic circle’ of independently relating items, I follow the choreography of classification in library spaces: from the formality of the Dewey Decimal Classification (DDC) through which books are organised, to their
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Laughter and civil repair: A stage-audience encounter Poetics (IF 2.0) Pub Date : 2024-04-12 Anna Lund
A world in movement is visible in the arena of the performing arts. Since the “long summer of migration” (also known as the 2015 “refugee crisis”), the field of performing arts for a young audience in Sweden has shown a growing interest in staging migration while elaborating new artistic strategies and modes of participation. Migrant/non-white youth share the stage-audience encounter with a white audience
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Artistic referencing and emergent standards of peer recognition in Hollywood, 1930–2000 Poetics (IF 2.0) Pub Date : 2024-04-08 Katharina Burgdorf
How does an artwork's referencing of creative content affect its peer recognition? Artists constantly seek to balance the tension between originality and conformity. Previous research argues that peers tend to reward socially well-embedded artists that signal community involvement and literacy of established conventions. Another stream of sociological research argues that the criteria for peer recognition
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Creating careers in the kingdom of content. The platform-dependence and platform-ambivalence of digital cultural labour in Norway Poetics (IF 2.0) Pub Date : 2024-03-27 Ole Marius Hylland, Heidi Stavrum, Mari T. Heian, Bård Kleppe, Kristine P. Miland
Cultural production is to an increasing degree characterized by digitalization, mediatization, platformization and the use of social media. In this article, we investigate how digital cultural labour is experienced by platform-dependent cultural producers. Based on qualitative in-depth interviews with more than twenty Norwegian content creators, we more specifically analyse how they describe and valuate
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Farewell on screen: Uncertainty in parasocial relationships and breakups with fictional media characters✰,✰✰ Poetics (IF 2.0) Pub Date : 2024-03-16 Michelle Möri
Viewers form enduring bonds, or parasocial relationships (PSRs), with media characters. They suffer breakup distress when such relationships are dissolved and show emotional reactions similar to those from the dissolution of social relationships. Alongside definite and temporary breakups, this paper introduces the term , and the three breakup types are analyzed and compared. In a two-survey study with
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Social capital and the intergenerational transmission of cultural capital: How parents’ social networks influence children's accumulation of cultural capital Poetics (IF 2.0) Pub Date : 2024-03-01 Andreas Roaldsnes
How does families’ social networks influence the transmission of cultural capital to their children? Earlier research on this process has mainly focused on within-family mechanisms, and the role of social capital as conceptualized by Pierre Bourdieu has here received little attention. This article explores this question through a study of parents’ social ties and parents’ and children's cultural, leisurely
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A deep dive into the collaborative networks of Yacht Rock Poetics (IF 2.0) Pub Date : 2024-02-20 Tony H. Grubesic, Edward Helderop, Bhajleen Kaur
This paper explores the collaborative networks of Yacht Rock, a genre of music that emerged in the late 1970s and early 1980s and is currently experiencing a resurgence of popularity in the United States and beyond. In addition to using formal social network analysis to explore the development and transformation of Yacht Rock's collaborative musical network through time, we identify its most influential
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The racial formation not taken: Occupational careers and the making of jazz album covers, 1950–1969 Poetics (IF 2.0) Pub Date : 2024-02-09 Barış Büyükokutan
How are racial representations created? I compare two kinds of jazz album cover from the 1950s and 60s to show that the production of culture approach has untapped potential for answering that question. After demonstrating that photographic and modern art-based work constructed Blackness in different ways, I account for photography's domination of the sleeve by focusing on the structure and history
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Professional patios, emotional studios: Locating social ties in European art residences Poetics (IF 2.0) Pub Date : 2024-02-08 Nikita Basov, Dafne Muntanyola-Saura, Sergi Méndez, Oleksandra Nenko
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Coagents as intermediaries in the book industry Poetics (IF 2.0) Pub Date : 2024-02-06 Paul Crosby, Jordi McKenzie
This study investigates the use of coagents in the book industry. To reach international markets, domestic publishers typically license a title’s rights to third-party international publishers, a practice known as 'selling rights’. Rights sellers can either choose to work directly in a local market or with intermediaries known as coagents. Using a data set of over 2000 international rights sales for
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From Macrogenres to microgenres via relationality Poetics (IF 2.0) Pub Date : 2024-02-06 Omar Lizardo
Recent work in the sociology of taste has begun to grapple with the relational properties of traditional survey-based data using techniques inspired by network analysis. Despite productive results from this endeavor, critics rightly question the face and ecological validity of the vague macrogenre labels included in standard arts participation surveys (e.g., Classical, Rock, Rap) which feed into these
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Models of generating cultural authority: Academics and journalists on a digital platform Poetics (IF 2.0) Pub Date : 2024-02-05 Shira Zilberstein
This study investigates the motivations and practices of information professions using a digital platform, with a focus on expanding definitions of cultural authority. While prior research has explored models such as citizen science and engaged journalism, which propose changes in the relationships between information producers, consumers, and content, limited attention has been given to professionals'
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Exploring the prevalence of success stories in popular work-related television series: A content analysis Poetics (IF 2.0) Pub Date : 2024-01-17 Sarah Devos, Femke Konings, Steven Eggermont, Laura Vandenbosch
This content analytical study ( = four series, 59 characters, and 2411 scenes) investigates how success stories are portrayed in work-related television series (i.e., television series centered on the working environment) that are available in several countries, namely , and . Based on the ideas of , this study explores how such television series define (professional) success and whether the accomplishments
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Beyond the author: Artificial intelligence, creative writing and intellectual emancipation Poetics (IF 2.0) Pub Date : 2024-01-17 Jack Tsao, Collier Nogues
This study explores university students’ engagement with Generative Artificial Intelligence (GenAI) tools for creative writing and graphic storytelling, drawing on Jacques Rancière's philosophy of intellectual equality and emancipation. Qualitative data analysis from a co-curricular creative writing programme, including reflections, surveys, and focus-group interviews, reveals emerging artificial intelligence
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Uneven and combined consecration: The mainstream, duplicate, and workaround institutions of jazz Poetics (IF 2.0) Pub Date : 2024-01-16 Barış Büyükokutan
I find that jazz gained a toehold in U.S. concert halls, music awards, festivals, and schools in the 1930s, 60s, 70s or 80s. I reconcile this with extant research, which identifies the 1940s and 50s as the crucial moment for jazz, by linking the processes that transpired in the sites I examine to those past research has focused on. During the 1940s and the 50s, facing resistance in the mainstream institutions
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The nested relationality of perceived legitimacy: Mapping taste hierarchies with granular digital traces Poetics (IF 2.0) Pub Date : 2024-01-16 Massimo Airoldi
The article has a double purpose. On the one hand, it contributes to theories of cultural legitimacy and classification. Based on data about consumers’ music evaluations, it shows that taste hierarchies are configured as nested and relational classificatory systems. Nested, because rank systems of symbolic value are collectively recognized, reproduced, and negotiated by consumers not only at the level
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The psychological origins of science fiction Poetics (IF 2.0) Pub Date : 2024-01-13 Edgar Dubourg, Valentin Thouzeau, Nicolas Baumard
Science fiction has become very popular across all mediatic forms (e.g., in short stories, in novels, in movies, in TV series). The cultural success of this genre is both geographically widespread and rather recent in history. Although such observations seem consensual, many problems remain and are debated in science fiction study, notably (1) the defining characteristics of the genre, (2) the reasons
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Party rocking: Exploring the relationship between music preference, partisanship, and political attitudes Poetics (IF 2.0) Pub Date : 2023-12-26 Brianna N. Mack, Teresa R. Martin
Music and politics have been interconnected for centuries, and it is difficult to explain a political event without mentioning the subsequent music creation and vice versa; examples include anti-war music during the Korean and Vietnam Wars, a shift to country music with patriotic undertones after 9/11, and so on (). Preliminary research suggests that there could be a connection between political ideologies
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The classed trajectory of media habitus: Television time and socioeconomic status from adolescence to adulthood Poetics (IF 2.0) Pub Date : 2023-12-19 Annaliese Grant
Despite a wealth of research about unequal transitions to adulthood in the U.S., we know less about how classed daily life (or “habitus”) carries with individuals as they age and experience socioeconomic mobility. Taking weekly time spent watching television as a form of class habitus, this research traces the trajectories of television time from adolescence to adulthood using the National Longitudinal
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From chart-topper to gold record: The effects of Billboard chart popularity on RIAA gold or platinum certification of #1 R&B/Hip-Hop singles in the Pre-SoundScan and SoundScan eras, 1977–2008 Poetics (IF 2.0) Pub Date : 2023-12-09 Vincent M. Carter
The purpose of this paper was to examine the effects of genre-specific and mainstream Billboard chart popularity on RIAA gold or platinum certification of #1 R&B/Hip-Hop singles in the Pre-SoundScan (1977–1992) and SoundScan (1993–2008) eras. The first aim was to determine if there were any statistically significant differences in genre-specific and mainstream popularity between singles that achieved
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Changing of the guards: Status dynamics and innovation in American TV shows, 1956–2010 Poetics (IF 2.0) Pub Date : 2023-12-06 Erez Aharon Marantz, Gino Cattani
Researchers have advanced two opposing accounts of the relationship between status and cultural innovation. We aim to reconcile these views – and their conflicting findings that high- low-status cultural producers are more likely to innovate – by adopting a dynamic view of status. We argue that changes in status – at the individual and the field level – affect the relationship between status and innovation
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“The poem has stayed with me”: Continued processing and impact from Shared Reading experiences of people living with cancer Poetics (IF 2.0) Pub Date : 2023-12-06 Tine Riis Andersen, Frank Hakemulder
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A Symbolic Hierarchy of Places: Global Inequalities in Tourism Narratives of the New York Times Travel Section Poetics (IF 2.0) Pub Date : 2023-11-29 Hesu Yoon, Andrew McCumber
We study the symbolic value of places using the case of global tourism where places are explicitly objectified for valorization. Unlike most prior research that uses tangible measurements like UNESCO's World Heritage Sites for global comparison of place-based symbolic values, we harness the power of computational text analysis to measure the symbolic value of places based on travel writings of the
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Why Jane likes to read and John does not. How parents and schools stimulate girls’ and boys’ intrinsic reading motivation Poetics (IF 2.0) Pub Date : 2023-11-05 Margriet van Hek, Gerbert Kraaykamp
Student's intrinsic reading motivation is key to their reading proficiency and spills over to other domains of development. Prior studies show that girls are more intrinsically motivated to read than boys but little is known about how reading socialization in families and schools relate to gender inequality in reading motivation. This study investigates a) how reading socialization activities in families
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AI as an Artist? A Two-Wave Survey Study on Attitudes Toward Using Artificial Intelligence in Art Poetics (IF 2.0) Pub Date : 2023-11-02 Rita Latikka, Jenna Bergdahl, Nina Savela, Atte Oksanen
Artificial intelligence (AI) technologies have developed rapidly, and generative AI in particular challenges human creativity. Therefore, people's perspectives about this transformative change involving creativity and art must be examined. We investigated attitudes toward using AI in art from the perspective of self-determination theory. We used data from a two-wave survey of Finnish respondents aged
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Definitely (not) belonging to culture: Europeans’ evaluations of the contents and limits of culture Poetics (IF 2.0) Pub Date : 2023-11-02 Semi Purhonen, Marc Verboord, Ossi Sirkka, Nete Nørgaard Kristensen, Susanne Janssen
Despite the long history of debating its meaning and its current unprecedented ubiquity both in scholarly and popular discourses, little is systematically known about how “culture” is conceived by ordinary people. This paper examines how evaluations of the contents and boundaries of expressive culture are patterned among people in and across present-day European societies, and to what degree these
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In the mood for odd? The role of affective factors in the evaluation of categorical atypicality Poetics (IF 2.0) Pub Date : 2023-10-13 Arnaud Cudennec, Chang-Wa Huynh
This paper investigates the impact of atypicality on cultural goods reception. While prior research has assumed controlled and highly cognitive mechanisms in audience evaluations, this paper probes the influence of affective states. We suggest that crises, such as the COVID-19 pandemic, trigger affective states and sway evaluations of atypical cultural goods. In a longitudinal study on movie evaluations
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The consecrating power of the Nobel Prize in the global literary field Poetics (IF 2.0) Pub Date : 2023-09-29 Jørgen Sneis, Carlos Spoerhase
Abstract not available
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Considering genres in gendered and racialized cultural capital Poetics (IF 2.0) Pub Date : 2023-09-15 Sonia Planson
Despite their essential role in conceptualizing cultural capital, genres have been left out of most quantitative empirical studies in this research tradition. Based on data from the French Ministry of Education with measures of detailed genre consumption for reading and TV watching, this article uses multiple correspondence analysis to show differences in consumption by gender, race/ethnicity, and
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Civil sacred: The nobel and the laureate position in cultural space Poetics (IF 2.0) Pub Date : 2023-09-09 Günter Leypoldt
This essay situates the Nobel's institutional charisma within the “laureate position,” an older but still relevant socio-institutional formation that frames literature as a “higher good” (as distinct, say, from “mere” entertainment). The first three sections place the Nobel within the landscape of literary prizes, discussing its particular currency of value (strong rather than weak), its relation to
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Diffuse consecration: How modes of authorship shape literary prizes Poetics (IF 2.0) Pub Date : 2023-08-31 Rebecca Braun, Johann Wolfgang Unger
This article takes a fresh look at Pierre Bourdieu's notion of consecration by applying a mixed methods approach to the way authorship unfolds around the Nobel Prize. Drawing on both conceptual literary history and corpus-assisted discourse analysis, the case study of Herta Müller's ‘unexpected’ win in 2009 is taken as a starting point for establishing how different ‘modes of authorship’ play out in
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The Symbolic Economy of the Nobel Prize in literature: how it counters or reproduces modes of domination Poetics (IF 2.0) Pub Date : 2023-08-30 Gisèle Sapiro
According to Bourdieu's theory, literary prizes are those specific authorities which contribute in the long run to the conversion of symbolic capital into economic capital. The Nobel Prize played a major role in the unification of a relatively autonomous international literary space, as described by Casanova. It helped create a new canon of world literature, as the Nobel prize winners were widely translated