Abstract:

Is it possible to speak about the unspeakable as it is represented in music, lyric poetry, and tragedy? The answer is yes, if we adopt a purely aesthetic perspective. The answer is no, if we adopt the perspective of the transcendental subject as the metaphysical source of music, lyric poetry, and tragedy. In this paper, I conceptualize the nondiscursivity of music, lyric poetry, and Attic tragedy in the philosophical aesthetics of Kant, Schopenhauer, and Nietzsche. I also make a few incidental remarks to Plato's Socrates and Aristotle as well as the Theban plays by Sophocles.

中文翻译：

---

音乐、抒情诗和悲剧的非话语美学

摘要：

是否有可能谈论音乐、抒情诗和悲剧中所代表的不可言说的事物？如果我们采用纯粹的审美视角的话，答案是肯定的。如果我们采用先验主体作为音乐、抒情诗和悲剧的形而上学来源的观点，答案是否定的。在本文中，我在康德、叔本华和尼采的哲学美学中概念化了音乐、抒情诗和阿提卡悲剧的非话语性。我还顺便对柏拉图的苏格拉底和亚里士多德以及索福克勒斯的底比斯戏剧进行了一些评论。