Motivated by Melissa Ziad's balletic protest within Algeria's Hirak demonstrations, this article recuperates a distinction between the right to assembly and the right to free speech, constitutional guarantees blurred under contemporary rhetoric of association. By applying methods of dance studies to legal interpretation, it shifts crowd theory away from an anxiety of touch toward a copresence that allows for constituent power of the people to be reclaimed. Therefore, it intervenes within a broader discourse of the legal humanities that privileges the logocentric over embodied ways of knowing.

中文翻译：

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拥挤的编舞：从集会到协会再回来

受梅丽莎·齐亚德在阿尔及利亚希拉克示威活动中的芭蕾舞式抗议的启发，本文重新区分了集会权和言论自由权，以及当代结社言论下模糊的宪法保障。通过将舞蹈研究的方法应用到法律解释中，它将群体理论从接触的焦虑转向共存，从而使人民的组织权力得以重新获得。因此，它干预了更广泛的法律人文话语，该话语优先考虑逻各斯中心主义而非具体的认识方式。