This conversation emerges from the Afro-Feminist Performance Routes's biennial gatherings at Duke University that have taken place since 2016. Hinging on the work of Lēnablou (Guadeloupe), Rujeko Dumbutshena (Zimbabwe, United States), Sephora Germain (Haiti), Yanique Hume (Jamaica, Cuba, Barbados), Jessi Knight (United States), Halifu Osumare (United States), Luciane Ramos-Silva (Brazil), and Jade Power Sotomayor (Puerto Rico, United States), the focused residency has nurtured embodied dialogues centered on African-derived dance practices and gender, femininity, womanhood, femme, and feminisms. What follows is a scripted simulation of conversations generated in roundtables, workshops, performances, and interviews, as well as around dinner tables and during late-night chats. We've woven together the artists’ statements under two umbrella themes—embodied philosophies and contours of diaspora—in order to highlight the relationship between creative practice and lived experience, between singularity and collective, between precarity and the everyday, between AfroFem and becoming.

中文翻译：

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非洲女性主义表演路线：记录体现对话和非洲女性表达方式

这段对话源于 2016 年以来在杜克大学举行的非洲女性主义表演路线两年一度的聚会。取决于 Lēnablou（瓜德罗普）、Rujeko Dumbutshena（津巴布韦，美国）、Sephora Germain（海地）、Yanique Hume（牙买加、古巴、巴巴多斯）、Jessi Knight（美国）、Halifu Osumare（美国）、Luciane Ramos-Silva（巴西）和 Jade Power Sotomayor（美国波多黎各），重点驻留培育了以源自非洲的舞蹈实践和性别、女性气质、女性气质、女性气质和女权主义。以下是圆桌会议、研讨会、表演和采访中以及餐桌周围和深夜聊天中产生的对话的脚本模拟。我们'