Andrea Baldini - 南京大学

个人简介

专著： ANDREA BALDINI;I Fought the Law and the Law Swanned: Art and Law in the Post-Graffiti Era；Koninklijke Brill,;2018 论文：课题： ANDREA BALDINI,2016—present,PHILOSOPHY OF THE ARTS IN THE PUBLIC DOMAIN (公共领域中的艺术哲学),南京大学项目；奖项：Top Paper in Urban Communication,2016 NCA (awarded to papers included in the Top Paper Panel at the National Communication Association) ANDREA BALDINI，2014—2016， THE NON-AESTHETIC FUNCTIONS OF SPONSOREDAND SPONTANEOUS FORMS OF PUBLIC ART: ON THE THERAPEUTIC VALUE OF THE NANJING MASSACREMEMORIAL AND THE SUBVERSIVENESS OF STREET ART；来源：NJU, China Ministry of Education 创作成果：（1、按时间降序排列；2、另附代表作照片3~5幅，照片命名中注明作品名称、时间、地点、材质、尺寸等信息）学术会议成果展示序号参加人（老师）会议（活动）名称时间地点（（国家）＋城市＋机构）是否发言（如有发言，需要填写发言稿的名称） 1 INVITED TALKS (受邀请做演讲) event related to theDesign Week, in collaboration with the Institute of Italian Culture in Beijing March 3, 2017 Qinghua Art Museum, Qinghua University, Beijing Tell Me Where It Comes From, and I’ll Tell You What It Is 2 event related to the Design Week, in collaboration with the Institute of Italian Culture in Shanghai March 2, 2017 Sino-Italian Campus, Tongji University, Shanghai Tell Me Where It Comes From, and I’ll Tell You What It Is 3 eventrelated to the Design Week, in collaboration with the Institute of Italian Culture in Shanghai March 1, 2017 Department of Art and Design, South-East University, Nanjing, Can Design Be Art? 4 November 11, 2016 Temple University, Philadelphia, Street Art in Da House: Museums and Pluralism in the 21st Century 5 November 7, 2016 College of the Holy Cross, Worcester, Philosophizing about Eating Food as Public Art: Some Conceptual Puzzles 6 November 4, 2016 Shanghai Normal University, Shanghai, A New Dawn: Conceptual Innovations in Contemporary Italian Street Art, Graffiti, and Post-Graffitism 7November 3, 2016 Shanghai Art Fair, Shanghai, From the Walls of Pompei to the City Train: Past, Present, and Future of Italian Muralism 8 May 25, 2016 Wuxi Museum of Art, Wuxi, Between Scylla and Charybdis: Abstraction and Representation in Contemporary Italian Art 9 Lecture for the Inauguration of "New Ways of Seeing," December 4, 2015 Nanjing University, Xianlin Campus, Caution, Wet Paint: Experimentations in Italian Art from the 1950s to Today 10 Symposium on Tomaso Montanari’s “Istruzioni per l’uso del futuro. Il patrimonio culturalee la democrazia che verrà",July 28, 2015 Massa (ITALY), Culture, Art, and Democracy: A Discussion of Tomaso Montanari’s latest book CONFERENCE PRESENTATIONS参加国际会议 1with Andrea Borghini Post-Internet Cities Conference, May 27, 2017Lisbon (PORTUGAL),是，There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti” 2 with Andrea Borghini Self: Between Consciousness and Non-Being International Conference,May 13-14, 2017 Hokkaido,Japan“Anonymous, Collective, and Polyphonic: The Creative Subject in 21st Century Graffiti andStreet Art”, 3The Aesthetics of Perfection and Imperfection Conference,April 15-16, 2017 Tokyo,“Bombing the City: Tags, Graffiti, and the Political Significance of Imperfection in Urban Aesthetics”, 4 ASA Pacific Meeting,April 4-7, 2016 Asilomar Conference Center, Monterey (USA),“Spray Paint and Laws: On the Differences between Legal and Aesthetic Judgment in the Contextof 21st Century Street Art and Graffiti”, 5 International Seminar March 30, 2017 Bologna (ITALY), “Tags nel paese di mezzo: La rappresentazione dello spazio pubblico cinese nei video sui graffiti”[Tags in the Middle Kingdom: The Representation of Chinese Public Space in videos on Graffiti]Visioni Urbane. Beyond the Ideal City. Spazio pubblico e narrazioni urbane attraversoil mezzo cinematografico 6 with Dr Pamela Pietrucci NCA 102nd Annual Convention – Urban Communication Foundation November 10-13, 2016 Philadelphia Knitting a Community Back Together: Post-Disaster Public Art as CitizenshipEngagement 7 20th International Congress for Aesthetics July 24-29, 2016 Seoul Chaining Walls of Freedom? Street Art and Museums in the Era of Mass Art 8 with Dr Pamela Pietrucci ICA Young Scholars Preconference “Communicating the Power of Visuals,”June 9 2016 KyushuSangyo University, FukuokaPebbles and Beads: Re-Appropriating Post-Earthquake L’Aquila with Street Art 9 ASA Eastern Division Meeting April 15-16, 2016 Philadelphia Subversive Walls 10 Street Art. Contours et Détours September 24-26, 2015 Nice (FRANCE) When the Silent Concrete Turns into a Carnival of Color: Street Art as a Strategy of SocialResistance against Corporate Control of Visibility 11 5th Annual Conference of the Royal Musical Association Music and Philosophy StudyGroup July 17-18, 2015 London Silence, Musical Form, and the Japanese Notion of Ma: An Essay in Global Aesthetics 12“Probing Misunderstanding” International Conference2-3 July, 2015 Liège (BELGIUM) Misusing and Misunderstanding Public Spaces: Street Art and Its Challenge to the CorporateRegime of Visibility 13 Dubrovnik Conference on the Philosophy of Art 20-24 April, 2015 Dubrovnik (CROATIA) Challenging the Second Dogma of Neo-Kantian Aesthetics: On the Social Dimension of PublicArt Appreciation PROPOSED PANELS 1提出议题 co-organized with Dr Angela Condello, with Prof. Gianmaria Ajani; Prof. TizianaAndina; and Prof Maurizio Ferraris Art & Law April 4-7, 2017 ASA Pacific Meeting, Asilomar Conference Center COMMENTS 1评论 William P. Seeley and Catherine A. Buel April 4-7, 2017ASA Pacific Meeting, Asilomar Conference Center A Question of Artistic Style: Digital Image Analysisand the Classification of Paintings 目前承担课程：艺术鉴赏与策展本科生西方艺术史本科生西方艺术史研究生艺术和文化遗产研究生

研究领域

艺术哲学、美学和视觉文化，特别是它们与应用伦理学、社会和政治哲学、公共政策和城市传播等领域的交叉。关注艺术和创造性行为如何赋予公共空间价值，以及如何塑造和重塑公共空间的作用、功能

近期论文

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There and Back Again: Redistributing Visibility between theVirtual and Real Alleys of Graffiti；E-Flux Architecture；2017 Beauty and the Behest: Distinguishing Legal and AestheticJudgment in the Context of 21st Century Street Art and Graffiti；La Rivista di Estetica；2017 Knitting a Community Back Together: SpontaneousPublic Art as Citizenship Engagement in Post-Earthquake L’Aquila；Territories of Political Participation. Public Art, Urban Design, andPerformative Citizenship, Milano: Mimesis International；2017 Wild Vegetables, Salsa, and Street Art. Cultural and Ecological Developments in the Chinese Provincial Landscape；Lo Squaderno；2016 公共艺术品的特质及其诠释；文艺研究；2016 On the Site-Specificity of Public Art，TheoreticalStudies in Literature and Art (文艺理论研究) ，2016 Editor’s Foreword: Interpreting Arts Across Cultures；TheoreticalStudies in Literature and Art (文艺理论研究)；2016 Street Art: A Reply to Riggle；"The Journal of Aesthetics and Art Criticism "；2016 "Quand les murs de bétonmuets se transformenten un carnaval de couleur. Le street art commestratégie de résistance sociale contre le modèle commercial de la visibilité（英文名：When the Silent Concrete Turns into a Carnival of Color: Street Art as a Strategy of Social Resistance against the Corporate Regime of Visibility）"；Cahiers de Narratologie；2016 Muri addomesticati? Street art, musei e ribellione” [Street art, museums,and rebellion]；Street Art. Banksy & Co., Bologna: Bononia UniversityPress；2016 Identity and Interpretation of Public Artworks: A Challenge to Intentionalism；Culture-Society-Education (Kultura – Społecze ´nstwo – Edukacja)；2015 "An Urban Carnival on the City Walls: The Visual Representation of Financial Power in European Street Art；Journal of Visual Culture；2015 Tom Finkelpearl’s What We Made: Conversations on Art and Social Cooperation；Journal of Aesthetic Education；2015 Doris Sommer’s The Work of Art in the World；The Journal of Aestheticsand Art Criticism；2015